Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
As the guest passed through the apartments he noticed with
some concern that the doors were closed behind him. On asking for the
Doge he was answered that his Serenity was confined to his room with
kidney disease, and would see him to-morrow. At the _Sala delle quattro
porte_ Carmagnola turned to go home: the officer touched his shoulder
and pointed to a corridor that led to the prisons, saying, “This way, my
lord.” “But that is not the way!” exclaimed the great captain. “Yes,
yes; quite right,” repeated the officer. A signal was given. Guards
surrounded him and he was hustled down the stairs, crying, “I am a dead
man.” The eagle was snared. At the trial Carmagnola was put to the
question. As the executioner prepared the cord, Carmagnola pointed to
the arm that had been broken in the service of the Republic. A brazier
was applied to his feet instead. On May 5th, 1432, the unhappy soldier
was led with a gag in his mouth to his doom between the red columns.
After three blows his head fell from his shoulders.
The awful tragedy had been planned and executed with consummate skill
and resolution. Two hundred officials were cognisant of the process. Not
one opened his mouth to betray the secret. From the time the victim left
Vicenza he was practically under arrest, though this he never suspected.
The remains were buried in the Frari and afterwards removed to Milan.
His widow was pensioned and his daughters were dowered. Four years later
another enemy of the Republic lost his head between the red columns. The
only surviving son of old Carrara had been convicted by the Ten of an
attempt to plot an insurrection in Padua.
[Illustration: STATUE OF BARTOLOMEO COLLEONI]
Public-domain text, read in full here on John Shaqi.
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