Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
The flourishing Eastern trade began to wither, but events seemed to
offer opportunity of compensation by permitting a forward policy on the
mainland. Venice had opened the gates of Italy to the French king, and
it was not long before Charles VIII. marched in with an army such as had
never before been seen in the peninsula to achieve his designs on the
kingdom of Naples. From his camp at Asti came to Venice Philippe de
Comines as an envoy seeking alliance with the Republic. The French
diplomatist in his memoirs has left us a charming description of Venice
as it appeared in 1494.
[Illustration: PALAZZO DARIO]
As he approached the city he marvelled at the innumerable towers and
monasteries, the fair churches, the great mansions and fine gardens all
founded in the sea. Twenty-five nobles, well and richly clad in fine
silk and scarlet cloth, bade him welcome and conducted him to a boat,
large enough to seat forty persons, covered with satin cramoisy and
richly carpeted. He was prayed to take his seat between the ambassadors
of Milan and Ferrara. “I was taken,” he writes, “along the _grande rue_,
which they call the Grand Canal, and it is very broad. Galleys cross it,
and I have seen great ships of four hundred tons and more near the
houses, and it is the fairest street I believe that may be in the whole
world, and fitted with the best houses, and it goes the whole length of
the said city. The mansions are very large and high and of good stone;
the ancient ones all painted. Others, made a hundred years ago, are
faced with white marble, and yet have many a great piece of porphyry
and serpentine on the front. Inside they have chambers with gilded
ceilings and rich chimney-pieces of carved marble, gilded bedsteads of
wood, and are well furnished. It is the most triumphant city I have ever
seen and that doeth most honour to ambassadors and to strangers, and
that most wisely doth govern itself, and where the service of God is
most solemnly done: and though they may have many faults I believe that
God hath them in remembrance for the reverence they bear to the service
of His Church.” De Comines found the Doge (Agostino Barbarigo) an
amiable, wise and gentle prince, experienced in Italian politics, and
after a stay of eight months, left with his mission unfulfilled. The
Most Christian King, if we may believe the Venetian ambassador
Contarini, lacked many inches of regal majesty. He was short in stature,
ill-formed, had an ugly face, prominent white eyes, a big, coarse,
aquiline nose, thick lips always open, and a nervous twitching of the
hands very unpleasant to see. He was slow in expressing himself and
dull-witted. Nor was Anne of Brittany, the Queen, portrayed less rudely.
She, says the ungallant diplomatist, was short, bony and lame, with a
rather pretty face. She was only seventeen, but most astute for her age,
inordinately jealous of the King’s majesty, and always succeeded in
getting her way by the use of smiles or tears. The _Cristianissimo_
Public-domain text, read in full here on John Shaqi.
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