Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
Venice surpassed herself in the reception given to Henry III. of France
in 1574. The young king was met at Malghera--the modern traveller will
pass a fort erected there as he nears the railway bridge--by sixty
Senators in gondolas covered with velvet, oriental carpets and cloth of
gold, and was ferried to Murano, where he passed the night in one of the
rich palaces with delicious gardens for which the island was then noted.
Sixty halberdiers clothed in silk of azure and gold were his bodyguard:
forty noble youths of the Calza were his attendants. On the morrow amid
salvos of artillery he embarked for Venice in a great galley manned by
four hundred Sclavonians clothed in yellow and turquoise taffety,
followed by an immense train of galleys and gondolas decorated with
carpets and tapestry, with banners and flags waving in the breeze. The
procession of the trade guilds, formed of a hundred and seventy boats
resplendent with crimson and silver and gold, was a dazzling pageant.
The glass-workers excelled in splendour and invention. A marine monster,
in whose body could be seen a furnace, and craftsmen making most
beautiful crystal vases, led their section, breathing flames from his
mouth. Then followed a boat in the shape of a great dolphin bestridden
by Neptune; on the poop stood two winged angels to waft it along. Four
river gods personifying the Brenta, the Adige, the Po and the Piove
plied the oars. At S. Nicolo del Lido, Palladio had constructed a
triumphal arch adorned with statues of Victory, Peace, Faith and
Justice, and with ten paintings by Titian and Tintoretto portraying
events in the King’s life. His Majesty lodged in the Palazzo Foscari
from which an opening was made into the Palazzo Giustiniani to
accommodate his suite, the whole being furnished with oriental
magnificence. At a State ball given in the hall of the Great Council,
two hundred gorgeously attired ladies were present glittering with
jewels and precious stones. The Sala dello Scrutinio was made into a
supper-room where twelve hundred and sixty plates of sweetmeats in the
forms of griffins, ships, nymphs, deities, etc., tempted the palates of
the guests. Regattas, serenades and jousts made the whole visit seem a
dream of enchantment to the King. As trade languished and the population
diminished, public shows increased in splendour. The sum expended at the
election and coronation of the last Doge--forty-seven thousand, two
hundred and ninety-eight ducats, was beyond all precedent. Venice was
still the temple of pleasure. All the arts subservient to the luxury and
vices of the rich flourished in rankest exuberance despite the efforts
of the Ten to cleanse public morals and to enforce sumptuary laws. The
excessive importance too of the stage and of its tinselled heroes and
tawdry queens, was an infallible symptom of a decadent nation. The time
came in the eighteenth century when the State was torn by the petty
Public-domain text, read in full here on John Shaqi.
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