Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
A throng of merchants and strangers from all the corners of the earth,
an ever-changing pageant of quaint and gorgeous costumes, passed and
repassed. So many strange tongues would you hear, says an old
writer,[83] that the Piazza might not inaptly be called the _forum orbis
non urbis_--not the market-place of a city but of the world. Strange
tongues are still heard in the Piazza, but of those who come for the
pleasure, not for the business of the world: the heart of commerce no
longer beats at Venice. The Piazza is, however, a scene of much
animation on public holidays when the band is playing. We will sit
outside Florian’s coffee-house, as a good Venetian should, and observe
the women of the people passing, with their graceful carriage and simple
costume, their wealth of hair so charmingly treated; the gondolier,
lithe of body and superb in gait; the _signore_ and _signorine_ with
their more modern finery; the fashionable youth, dressed, as he fondly
imagines, _all’ inglese_; rich and poor, _borghese_ and _popolano_,
bearing themselves with that ease of manner, vivacity of spirit and
social equality so characteristic of the Venetians. In the height of
summer, when the rich merchants of Milan and other cities of North Italy
with their women folk come to Venice for the Italian season, the Piazza
after dinner and far into the night becomes one vast open-air salon,
crowded with visitors in the most _chic_ of costumes, many of the ladies
promenading in evening dress. As one sits in the Piazza at setting sun,
the atmosphere, exquisitely delicate and clear, changes from pale blue
to amethyst, pink, turquoise, dark blue and indigo; and the night is
lovelier than the day.
SECTION II
_The Basilica of St Mark_
Public-domain text, read in full here on John Shaqi.
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