Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
[4] See “Archæologia,” vol. xliv. p. 128. This curious inscription
purports to have been interpreted in 1202 by Marin Dandolo, Procurator
of St Mark, from the Latin of an old and decayed parchment written by
Orso Hypato of Heraclea.
[5] So late as 1428 a Russian female slave was sold by one friar to
another for 52 sequins, with “right to dispose of her body and soul in
perpetuity.” The contract is quoted by Filiasi. In 1492 a Saracen slave,
15 years old, fetched 25 sequins.
[6] The original Malamocco, destroyed by flood in the twelfth century,
was a fortified place girt with walls and towers, whose precise locality
is not now known. It was situated on the open Adriatic, not far from the
present Malamocco. Filiasi, writing about 1800, says the ruins used to
be seen at low tide about a good stone’s throw from the _lido_.
[7] The Greek Emperor at Constantinople.
[8] Pietro in his two years of office could have done little more than
repair the old St Mark’s. Recent researches have proved that the present
structure was begun in 1061 under Doge Contarini. Part of the ducal
palace was pulled down to extend the basilica southwards, and part of
the Church of St Theodore incorporated on the north. When the wall which
separated the Chapel of St Isidore from the north transept was stripped
of its marble casing in 1887 it showed a bare surface of brick blackened
by exposure to the weather and one of the windows which lighted the
north aisle of old St Theodore’s.
[9] In 1456 the See of Castello and the Patriarchate of Grado were
united, and S. Lorenzo Giustiniano was made first Patriarch of Venice.
[10] Writing about 1500-1520.
[11] The memorable triumph of the Papacy when the Emperor was made to
stand barefoot in the bitter January cold outside the castle of Canossa
for three days before Pope Gregory VII. would admit and absolve him.
[12] Two-thirds of the people were said to have perished.
[13] As in the arsenal of the Venetians, the sticky pitch boils in
winter to daub their leaky ships which they cannot sail, and instead,
one builds his ship anew, another caulks the ribs of that which many
voyages hath made. One hammers at the prow and one at the poop: another
makes oars: another twists the ropes: another mends the jib and
mainsail.--“Inferno,” xxi. 7-15.
[14] The Emperor complained much of the mosquitoes and other less
volatile vermin at Chioggia. Dare we assume that these irritants were
not without effect in hastening the conclusion?
[15] “_Ante cujus atrium._” The scene is described by the Archbishop of
Salerno who was present. See “Muratori, Rer. Ital.,” Scrip. vii.
[16] A similar story is however told of the raising of the great obelisk
at Rome.
[17] Actually one is of red, the other of grey marble.
Public-domain text, read in full here on John Shaqi.
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