Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
Such, with slight modifications, was the machinery by which the Doges
were elected until the fall of the Republic. The ceremony over, public
festivities followed. By Da Canale’s vivid description of the rejoicings
that attended the election of Lorenzo Tiepolo in 1268 we are able to
gain some idea of what they were like. “On the day of S. Apollinare was
such great joy in Venice that the mouth of man could not tell of it. For
the Venetians had remembrance of Messer Jacopo Tiepolo, father of
Lorenzo, how noble and debonnair, how famous for good deeds he was, and
great were their hopes of Messer Lorenzo.” Soon as the good news was
known the bells rang a glad peal, and all the people, even the little
children, ran to St Mark’s shouting, “Messer Lorenzo Tiepolo is made
Doge!” After mass and consecration he was given the gonfalon of St Mark
all of gold. Having ascended the palace stairs he stood, gonfalon in
hand, while the lauds[25] were sung, and again swore fealty to the
people and spake wisely to them. Meanwhile his chaplains went to S.
Agostino to fetch the Dogaressa, and to her also were praises sung. On
the morrow, having made a public reconciliation with the Dandoli, a
naval review was held on the Grand Canal in front of the Ducal Palace,
led by Pietro Michiel, who with a great fleet of galleys was about to
sail overseas. Choirs were aboard who sang the ducal lauds. The waters
were alive with boats of all kinds, those of Torcello and Murano
adorned with banners and shields distinguishing themselves by their
splendour. A grand procession of Guilds next defiled before the Doge.
First came the master smiths, two by two, each wearing a garland,
accompanied by their trumpeters and other musicians and by their
standard-bearers. As they came in front of the Doge they saluted him and
wished him long life and victory. His serenity returned a gracious
answer, and they then went their way shouting, “_Viva nostro Signor
Messer Lorenzo Tiepolo_,” to S. Agostino, to salute the Dogaressa. Then
followed the furriers, dressed in ermine, calimanco and taffeta; the
tanners, richly clothed in rare furs and bearing silver cups and phials
filled with wine; the weavers, clad in finest cloth; the tailors,
magnificently arrayed in white garments, adorned with vermilion stars
and trimmed with furs, “and the great joy they made must be truly told,
for they set their gonfalon in front, with trumpets and instruments of
music, and gave themselves up to great gladness, singing _canzoni_ and
folk-songs; and having in their turn saluted their new lord right well,
went their way to Madame the Dogaressa rejoicing exceedingly.” The
wool-workers bore olive branches in their hands and garlands of olive on
their heads--they, too, were filled with great joy. The silk-weavers,
“they that make pellisses right richly,” decked their bodies all anew
with coats and mantles of fustian. The makers of quilts and doublets, to
honour their lord, arrayed themselves newly with cloaks of white,
Public-domain text, read in full here on John Shaqi.
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