Mazzorbo, which at the founding of Burano was the Urbs Major (the greater city), has gradually disappeared, and is now but the kitchen garden of Venice. Burano has annexed it by a bridge built on piles, and high enough in the centre for boats to pass under. There is scarcely a house left on the island, save the little inn where the boatmen get a glass of wine. Each morning the fruit and vegetable boats go to Venice, and their cargoes are sold near the Rialto. The difference between the people of these two islands is striking. Those of Mazzorbo are gentle and kind in manner, and really beautiful in person. What can make this dissimilarity in the twelve hundred feet which separates them? But the special interest in Burano is the lace-making, which is now in full revival, thanks to the Countess Marcello, and other benevolent patrons, whose efforts have reproduced the Point de Burano in its old patterns. The hundreds of girls in the Fabbrica di Merletti di Burano are certainly more than good-looking, and are improving in their work each year. Indeed, one may believe that the old-time skill of their ancestors is not lost. The sacristan of San Martino exhibits some fine bits of old Point de Burano, and the robes of the priests are so exquisite that one need not be a judge of laces in order to appreciate their beauty. One who has ever visited this independent little island will recall its peculiarities, and certainly its lace-makers, in whatever distant part of the globe their handiwork may be seen. {165} During the sixteenth century lace-making flourished in all the principal towns of northern Italy, but to Venice belongs the fame of _needle-points_; and Venetian ladies were the first to wear it, in the seventeenth century, from which time the fine Venetian lace-making dates. Before this time the ladies of Venice had worn lace, as their portraits attest, but not of this particular sort. Artists of the highest order did not disdain to make designs for Point coupé, which was made for ladies of illustrious rank, for princesses and queens; and bits of this exquisite point now bring prices that are simply fabulous, and worse, to any but a collector of laces or a connoisseur in them. "The special character of this lace consists in high reliefs, ornamental figures either in solid or open work, artistically formed and arranged in petals, overlaid with fantastic flowers of very broad design, the open blossoms of which detach themselves from rich foliage of marvellous workmanship, and are connected by joining threads and very delicate network stitches."