Those who go to Strorley, and cross the bridge to the other side of the
river, have only to follow the towpath for a little to come to The
Willows. It can also be reached by road, through a white gate down a
lane that grows more and more willowy as it gets nearer the river and
the house, but is quite passable for carts and even for cars, except
when there are floods. When there are floods this lane disappears, and
when the floods have subsided it is black and oozing for a long time
afterwards, with clouds of tiny flies dancing about in it if the weather
is at all warm, and the shoes of those who walk stick in it and come
off, and those who drive, especially if they drive a car, have trouble.
But all is well once a second white gate is reached, on the other side
of which is a gravel sweep, a variety of handsome shrubs, nicely kept
lawns, and The Willows. There are no big trees in the garden of The
Willows, because it was built in the middle of meadows where there
weren't any, but all round the iron railings of the square garden--the
house being the centre of the square--and concealing the wire netting
which keeps the pasturing cows from thrusting their heads through and
eating the shrubs, is a fringe of willows. Hence its name.
'A house,' said Wemyss, explaining its name to Lucy on the morning of
their arrival, 'should always be named after whatever most insistently
catches the eye.'
'Then oughtn't it to have been called The Cows?' asked Lucy; for the
meadows round were strewn thickly as far as she could see with recumbent
cows, and they caught her eye much more than the tossing bare willow
branches.
'No,' said Wemyss, annoyed. 'It ought not have been called The Cows.'
'No--of course I didn't mean that,' she said hastily.
Lucy was nervous, and said what first came into her head, and had been
saying things of this nature the whole journey down. She didn't want to,
she knew he didn't like it, but she couldn't stop.
They had just arrived, and were standing on the front steps while the
servants unloaded the fly that had brought them from the station, and
Wemyss was pointing out what he wished her to look at and admire from
that raised-up place before taking her indoors. Lucy was glad of any
excuse that delayed going indoors, that kept her on the west side of the
house, furthest away from the terrace and the library window. Indoors
would be the rooms, the unaltered rooms, the library past whose
window..., the sitting-room at the top of the house out of whose
window..., the bedroom she was going to sleep in with the very bed....
It was too miserably absurd, too unbalanced of her for anything but
shame and self-contempt, how she couldn't get away from the feeling that
indoors waiting for her would be Vera.
Public-domain text, read in full here on John Shaqi.
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