English fiction -- 19th century; Historical fiction; Italy -- History -- 476-774 -- Fiction
Basil withdrew into the portico, sat down, and covered his face with
his hands. Fever consumed him, and a dreadful melancholy weighed upon
his spirit. At a respectful distance from him, his followers had
assembled, ready for departure. The soldiers who had come with
Venantius, a score in number, were eating and drinking outside the
gates. Within, all was quiet. Half an hour elapsed, and Venantius again
came forward. Seeing Basil in the shadow of the portico, he went and
sat beside him, and began to speak with rough but well-meaning solace.
Why this heaviness? If he surmised aright, Basil had but avenged
himself as any man would have done. For his own part, he had never
thought enough of any woman to kill a man on her account; but such
little troubles were of everyday occurrence, and must not be taken too
much to heart. He had seen this Gothic damsel of whom there had been so
much rumour, and, by Diana I (if the oath were not inappropriate) her
face deserved all that was said of it. His rival being out of the way,
why should not Basil pluck up cheer? Totila would not deal harshly in
such a matter as this, and more likely than not he would be disposed to
give the maiden to a Roman of noble race, his great desire being to win
all Romans by generosity.
'Yonder priest tells me,' he added, 'that you were over hasty; that you
struck on a mere suspicion. And methinks he may be right. By the Holy
Cross, I could well believe this maiden a maiden in very deed. I never
looked upon a purer brow, an eye that spoke more innocently. Hark ye,
my good Basil, I am told that you have not spoken with her. If you
would fain do so before we set forth, I will be no hinderer. Go, if you
will, into yonder room'--he pointed to a door near by--' and when she
descends (I have but to call), you shall see her undisturbed.'
For a moment Basil sat motionless; then, without a word, he rose and
went whither Venantius directed him. But a few minutes passed before he
saw Veranilda enter. She was clad for travel, a veil over her face;
this, and the shadow in which Basil stood, made her at first unaware of
his presence, for Venantius had only requested her to enter this room
until the carriage was ready. Standing with bowed head, she sobbed.
'Why do you weep?' demanded an abrupt voice, which made her draw back
trembling.
Basil moved a little towards her.
'You weep for _him_?' he added in the same pitiless tone.
'For him, for you, and for myself, alas! alas!'
The subdued anguish of her voice did not touch Basil. He burned with
hatred of her and of the dead man.
'Shed no tears for me. I am cured of a long folly. And for you
consolation will not be slow in coming. Who knows but you may throw
your spell upon Totila himself.'
Public-domain text, read in full here on John Shaqi.
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