Verdun to the Vosges: Impressions of the War on the Fortress Frontier of FranceCampbell, Gerald
History
Verdun to the Vosges: Impressions of the War on the Fortress Frontier of France
Campbell, Gerald
World War, 1914-1918 -- Personal narratives
Before I was carried away into this digression by the admiration which
every one must feel for these brave soldier-priests of France, I was
talking of the way in which, on the eastern half of the front, the chief
energy of the war of the trenches has been concentrated at certain
definite points or “craters of death.” West of the Vosges these points
are all in the plain of the Woevre and the Hauts de Meuse, that is to
say, along the sides of the St. Mihiel salient. The chief of them are at
Les Eparges, on the north side of the angle, in the Forest of Apremont
at the angle itself, and near Pont-à-Mousson at the eastern extremity of
its southern side. At, and to a lesser extent between, these points the
French and the Germans have now been at it, hammer and tongs, for more
than a year. I use the expression “hammer and tongs” designedly, because
I can think of no other that so well expresses the position. St. Mihiel
and the Camp des Romains are situated at the hinge of the tongs, Les
Eparges and Pont-à-Mousson towards the extremities of the two legs. With
the object of squeezing the legs closer and closer together, so as to
crush the German forces between them or at least to force them to retire
on Metz, the French have been hammering away at these places for months
past, in accordance with sound dynamic principles. At the same time from
the Forest of Apremont they have pounded even more vigorously at the
Camp des Romains. Dynamically the process of applying the force of the
hammer at the St. Mihiel end of the tongs is not so advantageous, but it
is, as I have tried to show, necessary. Force must be met by an
equivalent force if it is desired to prevent motion in a particular
direction, and they have at least so far succeeded in their object as to
produce a state of equilibrium.
[Illustration: LA WOEVRE.]
Public-domain text, read in full here on John Shaqi.
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