Verdun to the Vosges: Impressions of the War on the Fortress Frontier of FranceCampbell, Gerald
History
Verdun to the Vosges: Impressions of the War on the Fortress Frontier of France
Campbell, Gerald
World War, 1914-1918 -- Personal narratives
When we got there some of the ruins were still smoking. We did not go
inside what was left of the walls of the church. They were not in a very
safe condition. In many places in the fields on the edge of the road
just outside the town, and behind some of the tottering fragments of
masonry that had once been the walls of houses, were lying the twisted
carcases of horses; every here and there there was a horrible smell of
burnt and putrefying flesh. There were also some pigs, routing about
among the ruins for what they might devour. At first they were the only
living things we saw. Everything else was dead, everything was burnt and
smashed except the stone figure of the dead Christ on the Cross that
stands at the corner where the principal street branches in two
directions, fully exposed to the shattering volleys that were poured
along it. By some miracle it had escaped destruction. Neither fire nor
shells had touched it. From the church the street winds down the slope
past the Christ on the Cross across the bridges that span the three
streams into which the Mortagne divides as it flows through the town,
then past what was once the private chapel of the family that owns the
old chateau on the opposite side of the road, up the hill on the other
side of the valley where there are half a dozen houses—at last—with
roofs and walls and even windows, from one of which a Red Cross flag is
floating, and then on to the wreck of the railway station. Some people
have likened the remains of the town to the ruins of Pompeii. There is
no need for that. They are the ruins of Gerbéviller. That will be
description enough as long as the stones that are left hang together.
The ruin is monstrous and unholy, especially in the part of the town on
the right bank of the river, where it is, like Jerusalem of old, a city
laid on an heap. We climbed at one place over the piles of stones and
rubbish that had formed the front walls of one of the houses, and in a
sort of ruined vault open to the air, which had been the cellar, saw
lying on its back the blackened skeleton of a woman. She was one of
several of the inhabitants who were burnt in the cellars in which they
took refuge from the German shells and the German brutality. They could
hardly be called hiding-places, because in some cases they were shot if
they tried to come out of them. Others were shot in the streets like
rabbits, as spies, or _franc-tireurs_ or what not. Any pretext or none
was good enough. I have seen a photograph which is in the possession of
the French Government, taken by a responsible official, of fifteen
white-haired old men whose dead bodies were found after the German
withdrawal lying in a field near the town. Their hands were bound
together, their trousers had been unbuttoned and were clinging round
their knees, either as a brutal insult, or else—the irony of it—to
prevent them from running away. They were shot in batches of five. The
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account