Verdun to the Vosges: Impressions of the War on the Fortress Frontier of FranceCampbell, Gerald
History
Verdun to the Vosges: Impressions of the War on the Fortress Frontier of France
Campbell, Gerald
World War, 1914-1918 -- Personal narratives
On August 24th the storm burst at last. From Damelevières and Mont on
the near side of the forest of Vitrimont, from Lunéville along the Bayon
road, and out of the two smaller forests of Vacquenat and Clairlieu,
which, from Lamath on the Mortagne, stretch along each side of it up to
the most western of the two railways, the enemy came pouring on,
battalion after battalion, regiment after regiment, till they had nearly
got up to the concave sweep of the French defensive position, extending
from the Sappais plateau eastwards across the road and railway in the
direction of Gerbéviller. At the same time the German guns began to
speak, and along the whole French front a hurricane of explosive shells
and shrapnel ploughed and tore up a belt of ground over a mile deep. An
hour after midday, in brilliant sunshine this time, no longer under the
depressing rain, the French batteries opened fire and went on firing all
through the afternoon and night, after a time without any sustained
reply from the enemy except for one general cannonade before sundown.
[Illustration:
Photograph by Libert-Fernand, Nancy.
FARM OF LEOMONT—MEURTHE ET MOSELLE
]
If you are standing on the outskirts of a modern battle—say at a
distance of a mile from the nearest battery, for a civilian is not
likely to get much closer in these days—you hear what I may call the
symphony of it far better than those who are actually taking part in the
fighting, who are deafened to all other sounds but the guns that fire
and the shells that burst near them, and the rifles of their own
company. To the spectator, when heavy guns, field guns, rifles, and
machine guns are all booming and banging and rattling at the same time,
the noise is so tremendous that it seems that it must be beyond the
limits of human endurance to face the storm of steel and fire. At the
hottest moments it keeps changing curiously and horribly in character,
volume, and tempo, rising and falling with alternating diminuendo and
crescendo and hurrying and slackening pace. It is all extraordinarily
relentless. Sometimes the deafening volleys of reports sound like the
clattering of a clumsy, lumbering wagon, jolting heavily over the frozen
ruts of a rough country lane; sometimes like the brisk hammering of
thousands of carpenters and rivetters at work on thousands of wooden
joists and steel plates; sometimes like the rumbling of hundreds of
heavy goods-trains thundering and bumping over uneven points and meeting
every now and then in hideous collision. Against the changing
undercurrent and background of sound and confusion the different kinds
of reports are always distinguishable—the heavy slow boom of the big
guns, the sharp vicious bang of the field pieces, with their
lightning-like velocity and shattering irresistible force, the shrieks
of the shells, the whistle of the bullets, the crackling and spitting
and spluttering snap of the lebels and mannlichers, the rapid pitiless
Public-domain text, read in full here on John Shaqi.
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