"You don't regret my so-far failure a bit more than I do, Miss
Schuyler, but I feel no shame or embarrassment over it. Nor am I ready
to admit myself beaten. I have a theory, or, rather a conviction that
there is one and only one explanation of this strange affair. I am not
quite ready to expound this, but in a day or two I shall find if it is
the true solution, and if so I shall soon find Miss Van Allen."
"I knew you would," and Sarah Schuyler nodded her head, in
satisfaction. "I told Rhoda to give you more time and you would not
disappoint us. All right, Mr. Stone, use all the time you need. But
no Schuyler must remain unavenged. I want to see that woman
killed--yes, killed, for her murder of my brother."
Sarah Schuyler looked like a figure of Justice herself, as, with
flashing eyes she declared her wrath. And it was her right. Her
brother's blood called out for vengeance. But the more gentle-souled
Ruth shuddered and shrank from this stern arraignment.
"Oh, Sarah," she murmured, "not killed! Don't condemn a woman to
that!"
"Why not, Ruth? If a woman can kill, a woman should be killed. But she
won't be," she added, bitterly. "No jury ever convicts a woman, no
matter how clearly her guilt is proven."
Just then Fibsy appeared. He was a strange little figure, and showed a
shy awkwardness at the grandeur of his surroundings. He bobbed a funny
little curtsy to Ruth, whom he already adored, and with an embarrassed
nod, included the rest of us in a general greeting.
Then to Fleming Stone he said, in an eager, triumphant tone, "I got
'em!"
"Got what?" asked Ruth, smiling at him.
"Got pictures of Miss Van Allen, and Julie, too."
"What!" cried Ruth, interested at once; "let me see them."
Fibsy glanced at her and then at Stone, and handed a parcel to the
latter.
"He's my boss," the boy said, as if by way of apology for slighting
her request.
Fleming Stone opened the parcel and showed two sketches.
"Miss Gale made them," he explained. "I sent Fibsy over there to
induce her to give us at least a hint of Miss Van Allen's personal
appearance. The boy could wheedle it from her, when I couldn't. See?"
He handed the pictures to Miss Rhoda, for he, too, respected
authority, but we all gathered round to look.
They were the merest sketches. A wash of water-color, but they showed
merit. As the only one present who knew Vicky Van, I was asked of the
truth of their portraiture.
"Fairly good," I said, "yes, more than that. This of Vicky shows the
coloring of her face and hair and the general effect of her costume,
more than her actual physiognomy. But it is certainly a close enough
likeness to make her recognizable if you find her."
Public-domain text, read in full here on John Shaqi.
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