Victor Hugo: His Life and WorkSmith, George Barnett
General
Victor Hugo: His Life and Work
Smith, George Barnett
Authors, French -- 19th century -- Biography; Hugo, Victor, 1802-1885
The chief ovations accorded to the poet I must briefly pass in review.
Several revivals of his best-known dramas have taken place of recent
years, but the most striking of these celebrations was undoubtedly that
at the Théâtre Français, on the 25th of February, 1880. It was the
fiftieth anniversary of the original representation of _Hernani_, and
that play was again produced to mark 'the golden wedding of Hugo's
genius and his glory.' After the termination of the play the curtain was
lifted, when a bust of the dramatist was seen elevated on a pedestal
profusely decorated with wreaths and palm-leaves. The stage was filled
with actors dressed to represent the leading characters in Hugo's
various plays. Mademoiselle Sarah Bernhardt came forward in the
character of Doña Sol, and recited with much feeling and energy some
laudatory verses by M. François Coppée, which roused anew the enthusiasm
of the audience. In response to the call of M. Francisque Sarcey, the
vast assembly rose, and filled the air with their congratulatory
vociferations. '_Ad multos annos!_ long live Victor Hugo!' Such were the
cries from all parts of the house, which so affected the venerable poet
that he was compelled to retire.
A few days subsequent to this performance the members of the Parisian
press gave a grand banquet to Victor Hugo at the Hôtel Continental. The
speech of welcome and honour to the poet was delivered by M. Émile
Augier, himself a writer of considerable reputation. After referring to
the marvellous vitality of Victor Hugo's poems and romances, the
speaker said: 'Time, O glorious master, takes no hold upon you; you know
nothing of decline; you pass through every stage of life without
diminishing your virility; for more than half a century your genius has
covered the world with the unceasing flow of its tide. The resistance of
the first period, the rebellion of the second, have melted away into
universal admiration, and the last refractory spirits have yielded to
your power.... When La Bruyère before the Academy hailed Bossuet as
father of the Church, he was speaking the language of posterity, and it
is posterity itself, noble master, that surrounds you here, and hails
you as our father.'
Public-domain text, read in full here on John Shaqi.
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