Victor Hugo: His Life and WorkSmith, George Barnett
General
Victor Hugo: His Life and Work
Smith, George Barnett
Authors, French -- 19th century -- Biography; Hugo, Victor, 1802-1885
In private life and character, it is well known that Victor Hugo was one
of the noblest and most unselfish of men. Numberless are the anecdotes
related of his generosity and kindliness of disposition. His children's
repasts at Hauteville House, Guernsey, and his hospitality to the
suffering and distressed in Paris, I have already alluded to. He had a
special talent for organizing Christmas parties, and was never happier
than when surrounded by his grandchildren. He mingled in all their
games, and even shared their troubles and their punishments. When his
favourite little grandchild was put on dry bread for bad conduct, the
grandfather was so unhappy that he would take no dessert. His pleasures
were as simple as his mind was great. The writer who furnishes me with
these details warmly contradicted the statement that Victor Hugo was an
infidel; on the contrary, he was a firm believer in God and in a future
state; and this, as we have seen, the poet himself confirmed. Even when
in his octogenarian period it was the poet's habit to rise with the day,
summer and winter, and to work until nine. He then allowed himself an
hour's rest for breakfast and his morning constitutional, after which he
again sat at his desk, mostly pursuing his intellectual labours, till
five in the afternoon. Work being concluded, he dined at half-past six,
and invariably retired to rest at ten. On one occasion, speaking of his
future works, the poet said, 'I shall have more to do than I have
already done. One would think that with age the mind weakens; with me it
appears, on the contrary, to grow stronger. The horizon gets larger, and
I shall pass away without having finished my task.'
On one occasion, a poor old woman was so delighted with the poetry of
her grandson, aged eighteen, that in the fulness of her heart she sent
his verses to Victor Hugo. The poet thus spoke of this incident to a
friend--'In spite of myself, I must hurt this worthy woman's feelings
by not replying to her letter; the verses of her grandson are simply
mine, taken from _Les Contemplations_. I can't anyhow write to say I
find my own verses beautiful--I can't encourage plagiarism; and I won't
tell the grandmother that her grandson is a liar.'
Much has been written concerning Hugo's skill as a draughtsman. It
appears that this own discovery of his powers in this direction was made
in a little village near Meulan, where he stopped to change horses, when
travelling with a lady in a diligence. He went inside the village
church, and was so struck by the graceful beauty of the apse that he
made an attempt to copy some of the details, using his hat as an easel.
He obtained a fair _souvenir_ of the place, and for the first time
realized how beneficially copying from nature might be combined with his
literary pursuits. After that he always delighted in sketching
architectural peculiarities of fabrics which remained in the original
design, and had not been 'improved' by modern handling.
Public-domain text, read in full here on John Shaqi.
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