Victor Hugo: His Life and WorkSmith, George Barnett
General
Victor Hugo: His Life and Work
Smith, George Barnett
Authors, French -- 19th century -- Biography; Hugo, Victor, 1802-1885
At six o'clock on the morning of the 31st of May the remains of the
poet were transferred to the Arc de Triomphe, where waggon-loads of
flowers and memorial wreaths had been constantly arriving. All the
shops, cafés, and restaurants in the Avenue Victor Hugo, and near the
Triumphal Arch, had remained open all night. 'There was nothing
disorderly,' wrote a correspondent, 'and the impression everything gave
was one of sadness, though all day the aspect of the Place de l'Étoile
had been really festive. The cenotaph was visible from the Tuileries.
The coffin was covered with a silver-spangled pall, which rose from a
base covered with black and violet cloth, violet being regal mourning,
and Victor Hugo having attained an intellectual and moral sovereignty
over France.' Early in the day the crowds of human beings in all the
avenues leading to the Place de l'Étoile were very dense. As evening
drew on the aspect was like that of some great fair. Medals bearing _Les
Châtiments, Napoléon le Petit_, and other legends, were offered for
sale, as well as medallions and numberless other memorials of the dead.
The display of flowers was wholly unparalleled. At night a flood of
electric light poured upon the Place de l'Étoile, revealing the coffin
with Dalou's powerfully modelled bust at the foot, and bringing out the
flowers and the names of Victor Hugo's works on shields. The effect of
the Horse Guards with torches and veiled lamps was very striking. Twelve
schoolboys, relieved every hour, formed a picket in front of the
cenotaph, round which there was an outer circle of juvenile guards, and
an inner one of Hugo's intimate friends. English literature and the fine
arts were worthily represented in the votive offerings laid at the feet
of the great poet. Wreaths, flowers, and memorial cards were sent in
great abundance. Lord Tennyson wrote under his name the word 'Homage,'
and at the top of his card, '_In Memoriam celeberrimi Poetæ_.' Mr.
Browning also was represented, as well as Sir Frederick Leighton, the
President of the Royal Academy. Archdeacon Farrar sent the message, 'In
honour of one who honoured man as man.' Sir F. Burton, director of the
National Gallery, wrote, 'Honour to the memory of the great master;' and
similar tributes were paid by many men of letters, poets, Royal
Academicians, and others.
Public-domain text, read in full here on John Shaqi.
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