Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
the "saints" of the early Christian Church, each going his own way, but
true helpers one of another, true champions and honest critics. They
were without vanity or envy, having a profound esteem for one another,
with a consciousness of their own worth. "Their great external misery
and the splendour of their intellectual wealth produced a singular
contrast. In their society nobody thought of the realities of life
except as subjects for friendly pleasantries.... The sufferings of
poverty, when they made themselves felt, were so gaily borne, accepted
with such ardour by all, that they did nothing to alter the particular
serenity which marks the faces of young men free from grave faults, who
have not lost part of themselves in any of those low traffickings which
are forced upon men by poverty ill supported, by the desire to get on
without any choice of means, and by the facile complacency with which
men of letters welcome or pardon betrayals.... These young men were sure
of themselves: the enemy of one became the enemy of all, and they would
have abandoned their most urgent interests to obey the sacred solidarity
of their hearts. All incapable of a mean action, they could oppose a
formidable 'no' to every accusation, and defend one another with
security. Equally high-minded and equally matched in matters of
sensibility, they could think and speak all their mind in the domain of
science and intelligence; thence came the innocence of their
intercourse, the gaiety of their talk. Sure of mutual understanding,
their minds digressed at their ease; and they stood on no ceremony among
themselves, confided in each other their sorrows and their joys,
pondered and suffered with open hearts." I need speak no further of this
imaginary _cénacle_, for "Illusions Perdues" is widely known. It is one
of those wonderful fantasies that one feels were lovingly cherished by
Balzac, at once his darling dreams and his disappointments. He had a
passionate desire to express the beautiful, and he was denied that gift.
The lights dance before his eyes, and his very language becomes confused
and turgid when he deserts reality. It may safely be said that in the
real _Bohème_ there was no such goodly company of industrious, gifted,
morally austere, intellectually gay, unselfish young men, and that there
never will be in any society till the coming of the Coquecigrues.
Public-domain text, read in full here on John Shaqi.
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