Fanny's post-war principle was simple: "der Tag bringt's, der Tag
nimmt's," the day brings it, the day takes it. Who would be such
a donkey as to save money that a week after would have halved or
quartered, even if it did not quite lose, its value? No, spend and make
others spend. Those were wonderful days for succeeding in a profession
like Fanny's. Paper money? Easy. Vienna lived to spend, not only spent
to live. That paper money went stale, dead on their hands if they
didn't spend it. Jew and Christian alike knew that. Wonderful days,
indeed, for Fanny and her kind.
Fanny always went to the Hotel Bristol for her midday meal, sitting at
a little table not far from the door. Everybody that came in saw her
and she saw everybody. She was one of the hotel's brightest treasures,
above Princesses of blood, who now so often had a way of looking like
their own maids. She was always smartly, beautifully dressed in her
somewhat quiet style. She gave a light, bright touch to the dark,
too-heavily decorated room, shone in it gleamingly, reposefully, like a
crystal vase.
Foreigners generally beckoned to the head-waiter and asked who the lady
was sitting alone at the table near the door. And according to the
questioner so was the answer. The head-waiter, profoundly versed in
human nature, made no mistakes.
Fanny's manners like her clothes, were impeccable. She spoke to no one
and no one spoke to her and she certainly didn't look about her the
way the green Americans or the ripe Jews did. She went in and out like
a queen, haughtily, gracefully, her round hips swaying gently, her
head erect, her beautiful, blue eyes impersonal. But then Fanny was
always careful, not only in mien and gesture but in words. She was not
accustomed to tell, even at her suppers, the sort of stories which, she
heard quite authentically, ladies of the whole world told. It would
have taken the distinction from her situation in the half world.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account