Maria kept on, a warning note in her voice, "I'll feel sorry for the
family if Fanny doesn't hold out," (Maria, it will be seen, was at
the other side of "holding out"--the far side.) "She bought the villa
at Moedling last year and we put a lot of money in England through a
Jew," here Maria was quite contemptuous ... "but," she added in another
and fondly indulgent tone, "we had to let the Count, his people were
starving, have a lot of that. We still get some income from it, but
there are so many of us, and if Fanny should lose her nerve,"--Maria
broke off; only she didn't use the ordinary word for "nerve" but the
famous Vienna expression "Hamur," which means, beside nerve, a lot of
things that are both more and less.
Tears overflowed her small, dark, friendly eyes. There was no nonsense
about Maria. She adored Fanny, she was proud of Fanny and to have
the revered aunt sitting there made a priceless occasion on which to
relieve her feelings. Crossing her arms over her ample bosom she went
on:
"She gives everything away, not only to the family and naturally to
the Count, but yesterday--will you believe it,--to a shameless hussy,
no better than she should be, she gave a heap of money to keep her out
of the hospital, where she truly belongs. I told Fanny where I thought
she'd end herself if she didn't look out, but Fanny" ... she broke off
suddenly as the bedroom door opened.
"What are you gossiping about?" Fanny cried sharply to her, "Didn't
you hear the door bell ring?" Then as it rang again a contraction
passed over her face and she started to the door herself.
But Maria, in spite of her avoirdupois, was out like lightning. After a
moment's parleying in the hall she was back.
"Nothing," she said looking fondly, relievèdly at Fanny, "It's only to
say the carriage is there."
Fanny went slowly back into her room followed by Maria who shut the
door. Frau Stacher left alone, almost immediately fell into a doze; her
eyes closed heavily and she slipped deeply into the big chair. But she
couldn't quite lose herself for she had a feeling that it would soon be
time to go and kept trying to keep herself awake.
She sat up sharply, with a start, when Fanny reappeared, how long after
she could not have told, in a black costume whose long, fur-trimmed
cape fell smartly about her form. A tiny black velvet hat from which
she had just torn the cunningly, expensively placed blue aigrette, put
her eyes in a becoming, melancholy shadow. She had an extra pair of
black gloves in her hand and a fine dark leather bag that she had done
with, to replace the "horror" as she called it to herself that her aunt
was using.
Public-domain text, read in full here on John Shaqi.
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