English literature -- 19th century -- History and criticism
Nothing is more refreshing than this active, disinterested sense of the
real; it is doubtless the quality for the want of more of which our
English and American fiction has turned so wofully stale. We are ridden
by the old conventionalities of type and small proprieties of
observance--by the foolish baby-formula (to put it sketchily) of the
picture and the subject. Mr. Kipling has all the air of being disposed
to lift the whole business off the nursery carpet, and of being perhaps
even more able than he is disposed. One must hasten of course to
parenthesise that there is not, intrinsically, a bit more luminosity in
treating of low life and of primitive man than of those whom
civilisation has kneaded to a finer paste: the only luminosity in either
case is in the intelligence with which the thing is done. But it so
happens that, among ourselves, the frank, capable outlook, when turned
upon the vulgar majority, the coarse, receding edges of the social
perspective, borrows a charm from being new; such a charm as, for
instance, repetition has already despoiled it of among the French--the
hapless French who pay the penalty as well as enjoy the glow of living
intellectually so much faster than we. It is the most inexorable part
of our fate that we grow tired of everything, and of course in due time
we may grow tired even of what explorers shall come back to tell us
about the great grimy condition, or, with unprecedented items and
details, about the gray middle state which darkens into it. But the
explorers, bless them! may have a long day before that; it is early to
trouble about reactions, so that we must give them the benefit of every
presumption. We are thankful for any boldness and any sharp curiosity,
and that is why we are thankful for Mr. Kipling's general spirit and for
most of his excursions.
Public-domain text, read in full here on John Shaqi.
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