English literature -- 19th century -- History and criticism
As regards Tennyson's imagery, anything that one quotes in illustration
is, as I have said, certain to be extremely familiar; but even
familiarity can hardly dull the beauty of such a touch as that about
Merlin's musings:
"So dark a forethought rolled about his brain,
As on a dull day in an Ocean cave
The blind wave feeling round his long sea-hall
In silence."
Or of that which puts in vivid form the estrangement of Enid and
Geraint:
"The two remained
Apart by all the chamber's width, and mute
As creatures voiceless through the fault of birth,
Or two wild men, supporters of a shield,
Painted, who stare at open space, nor glance
The one at other, parted by the shield."
Happy, in short, the poet who can offer his heroine for her dress
----"a splendid silk of foreign loom,
Where, like a shoaling sea, the lovely blue
Played into green."
I have touched here only upon Tennyson's narrative poems, because they
seemed most in order in any discussion of the author's dramatic faculty.
They cannot be said to place it in an eminent light, and they remind one
more of the courage than of the discretion embodied in _Queen Mary_.
Lovely pictures of things standing, with a sort of conscious stillness,
for their poetic likeness, measured speeches, full of delicate harmonies
and curious cadences--these things they contain in plenty, but little of
that liberal handling of cross-speaking passion and humour which, with a
strong constructive faculty, we regard as the sign of a genuine
dramatist.
The dramatic form seems to me of all literary forms the very noblest, I
have so extreme a relish for it that I am half afraid to trust myself to
praise it, lest I should seem to be merely rhapsodizing. But to be
really noble it must be quite itself, and between a poor drama and a
fine one there is, I think, a wider interval than anywhere else in the
scale of success. A sequence of speeches headed by proper names--a
string of dialogues broken into acts and scenes--does not constitute a
drama; not even when the speeches are very clever and the dialogue
bristles with "points."
Public-domain text, read in full here on John Shaqi.
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