To the Sceptic--(an apostate, and an undoubted male)--another view was preferable. He held that George Eliot had carried what he called the 'Death's-Head Style' of art a trifle too far. He read her books in much the same spirit and to much the same purpose that he went to the gymnasium and diverted himself with parallel bars. He detested her technology; her sententiousness revolted while it amused him; and when she put away her puppets and talked of them learnedly and with understanding--instead of letting them explain themselves, as several great novelists have been content to do--he recalled how Wisdom crieth out in the street and no man regardeth her, and perceived that in this case the fault was Wisdom's own. He accepted with the humility of ignorance, and something of the learner's gratitude, her woman generally, from Romola down to Mrs. Pullet. But his sense of sex was strong enough to make him deny the possibility in any stage of being of nearly all the governesses in revolt it pleased her to put forward as men; for with very few exceptions he knew they were heroes of the divided skirt. To him Deronda was an incarnation of woman's rights; Tito an 'improper female in breeches'; Silas Marner a good, perplexed old maid, of the kind of whom it is said that they have 'had a disappointment.' And Lydgate alone had aught of the true male principle about him. Appreciations. Epigrams are at best half-truths that look like whole ones. Here is a handful about George Eliot. It has been said of her books--('on several occasions')--that 'it is doubtful whether they are novels disguised as treatises, or treatises disguised as novels'; that, 'while less romantic than Euclid's Elements, they are on the whole a great deal less improving reading'; and that 'they seem to have been dictated to a plain woman of genius by the ghost of David Hume.' Herself, too, has been variously described: as 'An Apotheosis of Pupil-Teachery'; as 'George Sand _plus_ Science and _minus_ Sex'; as 'Pallas with prejudices and a corset'; as 'the fruit of a caprice of Apollo for the Differential Calculus.' The comparison of her admirable talent to 'not the imperial violin but the grand ducal violoncello' seems suggestive and is not unkind. BORROW His Vocation.