Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
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Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
Then, as these thoughts ran through his head, he smiled at his own
fatuity in taking Winifred's consent for granted in this summary
fashion. What Mrs. Winston-Smith said or did mattered little. What was
of vital importance was Winifred's own answer to his question. He could
not but recognize that to call on a young lady after a year's separation
and to ask her in marriage, suddenly, without warning, was an unusual
proceeding. And yet that was just what he was going to do; and he found
himself musing over schemes for getting her away from her grandmother
and from any chance visitors. He tried to devise a means of luring her
into the library or of coaxing her into the conservatory. He cared not
how soon they might be interrupted; he knew what he had to say, and he
was prepared to say it briefly. Five minutes would be time enough--five
minutes, if he could but have them clear. When a man has been wanting
for years to be able to put a simple question, it ought not to take him
long to say the needful words; and he knew that Winifred would not keep
him waiting for his answer. Whether it was to be yes or no, she would
know her own mind, and be ready and willing to accept him at once or to
reject him with as little hesitation.
He had been keeping pace with the throng that was sweeping massively
up-town, but as the fear seized him that, after all, he had little right
to think she might love him, he lengthened his stride in futile
impatience to get his answer sooner. He glanced up at Tiffany's clock,
then almost over his head, and he slackened his speed as he saw that it
was not yet five minutes past four. He had at least half an hour to wait
before he could hope to find her at home.
Then, most unexpectedly, he was favored with fortune. The foremost of
the carriages drawn up in Fifteenth Street alongside the jeweller's was
a handsome coupe, in which a young lady was sitting alone. As Harry
Grant drew near to the corner his glance fell on this coupe, and at that
moment the young lady looked up. He saw that it was Winifred. As their
eyes met a swift blush bloomed in her face, and faded as speedily. She
smiled and held out her hand and laughed happily as he sprang to the
door of the carriage.
"Winifred!" he cried.
"Harry!" she answered.
"I didn't expect to see you here!" he declared.
"Is that the reason you are here, then?" she returned.
He made no reply. He could not take his eyes from her. In his delight at
seeing her again he had nothing to say.
"Well?" she asked, when she thought he had stared enough.
"Well," he answered, "I couldn't help it. You are prettier than ever."
Again a flush flitted across her face, fainter this time, and fleeting
sooner.
"That's a very direct compliment, don't you think?" she retorted,
withdrawing her hand, which he had kept clasped in his own. "And you are
looking well, too. Your life out West there is good for you. I don't
wonder you prefer it to this noisy old New York of ours."
Public-domain text, read in full here on John Shaqi.
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