Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
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Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
Perhaps it was the fatigue of his useless day, and perhaps it was the
hypnotic influence of the revolving lights before the variety theatre,
which caused the lonely young man to fall asleep. How long he slept he
did not know, nor what waked him at last. But he had a doubtful memory
of a human touch upon his body, and three of his pockets were turned
inside out. When he discovered this, he laughed outright. The attempt to
rob him then struck him as the funniest thing that had ever happened.
He must have slept for two or three hours at least, for the appearance
of the square had changed. It was no longer evening; it was now night.
While he looked about him he saw the doors of the theatre in Broadway
pushed open, and the audience began to pour forth. A few moments later
little knots of the play-goers passed him, still laughing with
remembrance of the farce they had been witnessing. In another quarter of
an hour the people began to come out of the other theatre, the variety
show on the square, and the lights that flared above the door-way went
out, all at once.
It was nearly midnight when two men sat down on the bench of which
McDowell Sutro had been the sole occupant hitherto. They were tall and
thin, both of them; they were clean-shaven; their clothes were shabby;
and yet they carried themselves with an indescribable air, as though
they were accustomed to brave the gaze of the world.
"No," said the elder of the two, continuing their conversation, "she's
no good. She has a figure like a flat-iron and a voice like a fog-horn,
hasn't she? Well, there's no draft in that, is there? She's a Jonah,
that's what she is, and she'd hoo-doo any show. Why, the last time I was
on the road she tried to queer my act. I called her down right there and
then, and when the star backed her up, I was going to give my two weeks'
notice; and I'd have done it, too, but I was playing cases then, and I
didn't want to come back here walking on my uppers. But if I had quit,
they'd have closed in a month, I tell you! They didn't know who was
drawing the money to their old show; but I did! You ought to have been
in the one-night towns on the oil circuit and heard me do Shamus
O'Brien. That used to fetch 'em every night--I tell you it did! And it
used to make her tired!"
"Did you ever see me play Laertes?" asked the younger. "I did it first
in 'Frisco in '72, when Larry Barrett came out there. Well, while I was
on the stage with him, Hamlet didn't get a hand. I've got a notice here
now that said I was the Greatest Living Laertes."
"I played Iago once with Larry Barrett," said the first speaker, "and I
gave them such a realistic impersonation they used to hiss me off the
stage almost."
"Have a cigarette?" asked the other, holding out a package.
"Don't care if I do," was the answer. "I've got a match."
"That's lucky, for I haven't," said the owner of the cigarettes.
"Well, I haven't, after all," the elder actor had to confess, after a
vain search in his pockets.
Public-domain text, read in full here on John Shaqi.
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