Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
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Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
"That's all right, then," she replied, laughing lightly; "we've got all
night before us, haven't we?"
The prompter clapped his hands and called out "First act!" Two
clean-shaven men of indefinite age who had been sitting in the wings
rose and came forward. Mr. Dresser joined them, and his manner suggested
a certain increase of his ordinary nervous tension. A well-preserved
elderly lady left her seat on one side of the aisles under the
proscenium box and came through the door which led from the auditorium
to the stage. She was followed by a slight, graceful girl, a blonde with
clear gray eyes.
"Mrs. Castleman--Miss Marvin," said the prompter, seeing them; "now we
are all ready."
And then the serious business of the rehearsal began. Mrs. Castleman
came down to the centre of the stage and took up a newspaper and read
the date of it aloud, and remarked that it was just five years since
master and mistress had parted in anger, adding that neither of them had
put foot inside the old house in all the five years, and yet it was not
an hour from New York. Then one of the minor actors, an awkward young
fellow, one of the two who had been standing in the wings, entered with
a telegram, which he gave to Mrs. Castleman. She tore it open and read
it aloud; the master would arrive early that evening. Then Miss Marvin,
the girl with the clear blue eyes, came forward with an open letter in
her hand and told Mrs. Castleman that the mistress of the house would be
home again at last late that afternoon. And thus the rehearsal went on
gravely, every one intent upon the business in hand. The speeches of the
actors were interrupted now and then by the stage-manager. "Take the
last scene over again," he might command, whereupon the performers would
resume their places as before and begin again. "Don't cross till he
takes the stage, my dear. And when he says, 'What is the meaning of
this?' don't be in a hurry. Wait, and then say your aside, 'Can he
suspect?' in a hoarse whisper. See?"
Finally there was a jingle of sleigh-bells, and the orchestra, beginning
faintly and slowly, soon worked up to a swift _forte_, and then Miss
Daisy Fostelle made her first appearance through the broad door at the
back of the stage. Finding that she had taken everybody by surprise, she
smiled sweetly, and said, "You didn't expect me, I see--but I hope you
are all glad to see me once more."
A thin, cadaverous man with a heavy, black mustache here stepped forward
to face the wife he had not seen for five years. "We are all glad to see
you once more," he had to say, "very glad indeed, and we are gladder
still to see that you seem to be in such excellent health and such high
spirits! The separation has not dimmed the brightness of your eyes,
nor--" Here the tall, gaunt actor stopped and hesitated. "I don't know
what's the matter with that speech," he said, impatiently, "but I can't
get it into my head. I never had such tricky lines!"
Public-domain text, read in full here on John Shaqi.
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