Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
General
Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
From one of the shouting and insistent venders he bought a ticket, and
he walked through the broad entrance-hall, the floor of which slanted
upwards. He passed the door of a restaurant on his right, and he
glanced down a staircase which led to the semi-subterranean stalls where
the horses were tethered. A pungent, acrid, stable odor filled his
nostrils. Then he found himself inside the immense amphitheatre, under
the skeleton ribs of its roof picked out with long lines of tiny
electric bulbs. Morton had a first impression of glittering hugeness,
and a second of restless bustle. From a gallery behind him there came
the blare and crash of a brass band playing an Oriental march; but even
this did not drown the buzz and murmur of many thousand voices. The vast
building seemed to Morton to be filled with men and women, all of them
talking and many of them in motion. He found himself swept along slowly
in the dense crowd that circled steadily around the high fence which
guarded the arena wherein the horses were exhibited. This crowd was too
compact for him to approach the railing, and he could not discover for
himself whether or not anything was to be seen.
A thin line of more or less horsy fellows fringed the fence, and seemed
to be interested in what was going on. The most of the men and women who
filled the broad promenade between the railing and the long tier of
private boxes paid little or no attention to the arena; they gave
themselves up to staring at the very gayly dressed ladies in the boxes.
It struck the New England college professor that the most of those
present made no pretence of caring for the horses, as though horses
could be seen any day; while they frankly devoted themselves to gazing
at the people of fashion penned side by side in the boxes, and not often
placing themselves so plainly on exhibition. Some of those who were
playing their parts on this narrow and elevated stage had the
self-consciousness of the amateur, and some had the ease that comes of
long practice. These latter looked as though they were accustomed to be
stared at, as though they expected it of right, as though they were
there on purpose to be seen. They seemed to know one another; and it
struck Morton that they were apparently all members of a secret
fraternity of fashion, with their own signs and passwords and their own
system of private grips; and they wholly ignored the people who had not
been initiated and who were not members of their society. They nodded
and smiled brightly to belated arrivals of their own set. They kept up a
continual chatter among themselves, the women leaning across to talk to
acquaintances in the adjoining compartments, and the men paying visits
to the boxes of their friends. Now and again some one in a box would
recognize some one in the circling throng below; but for the most part
there was no communication between the two classes.
[Illustration: EXPLANATIONS]
Public-domain text, read in full here on John Shaqi.
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