Vignettes of Manhattan; Outlines in Local ColorMatthews, Brander
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Vignettes of Manhattan; Outlines in Local Color
Matthews, Brander
Manhattan (New York, N.Y.) -- Fiction; Short stories, American
"Six?" echoed the woman in the victoria, with a hungry gleam in her
eyes. "You have six children?"
"It's six I have," the mother answered; "and it's a fine lot they are
altogether, though I say it that shouldn't."
The lady put her hand in her purse again.
"Buy something with this for the others," she said, placing a bank-note
in the Irishwoman's hands. Then she raised her voice and added, "You may
drive on, John!"
As the victoria rolled away to the westward the fruit-vender courtesied,
and the children all looked after the carriage with interest.
"That lady must be very rich," said the eldest boy, the one who had the
lozenges for sale. "I shouldn't wonder if she had two millions of
dollars!"
"She must be very happy," the eldest girl added. "I suppose she can have
ice-cream every day, and go to the Seaside Home for two weeks whenever
she wants."
"It's a kind heart she has anyway, for all her money," was the mother's
comment, as she unfolded the bank-note and saw the X in the corner of
it.
Meanwhile the lady in the victoria was eaten with bitter thoughts as the
carriage rattled along in the brilliant sunshine beneath the unclouded
sky.
"Six children!" she was saying to herself. "That Irishwoman has six
children! Why is it that some women have so much luck?"
(1893.)
THE SPEECH OF THE EVENING
The more immaterial part of the banquet was about to begin. The guests
had made an end of eating, and the waiters were filling the small cups
with black coffee, and passing boxes of cigars and cigarettes. At the
five long tables which gridironed the great room the hum of conversation
rose higher and higher; while at the shorter table, raised on the
platform at the western end of the hall, there was almost silence, as
the men who were to make speeches saw the oratorical moment approaching.
The musicians, hidden behind a screen of greenery, were playing a medley
of the latest popular airs; and here and there, at the tables below, a
little group of the diners now and again took up a chorus, with
intermittent energy, to the amusement of the ladies who were arriving
and filling rapidly the broad boxes in the galleries.
The organizers of the dinner had felt that it was a great occasion, and
they had sought to make it memorable artistically. The severe white of
the beautifully proportioned concert-hall was relieved by foliage
plants, massed and scattered with a delicate understanding of decorative
effect; against the absolutely colorless walls, with their carved
caryatides, were palms in pots; gayly colored silken banners floated
down from the ceiling; and everywhere, on the ceiling and the walls and
the balconies and the platforms, the electric lights glowed and
twinkled, illuminating the lofty hall with steady brilliancy.
Public-domain text, read in full here on John Shaqi.
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