seen the pot or kettle, filled with buffalo meat; and around it are the family, reclining in all the most picturesque attitudes and groups, resting on their buffalo-robes and beautiful mats of rushes." Their beds, or sleeping places, stood against the wall and were formed of poles lashed together and covered with buffalo skins. Each such bed was screened by skins of the buffalo or elk, arranged as curtains, with a hole in front to serve as an entrance. "Some of these coverings or curtains are exceedingly beautiful, being cut tastefully into fringe, and handsomely ornamented with porcupine's quills and picture writings or hieroglyphics." Catlin's sketch of the interior of a lodge, as just described, is reproduced in plate 38, _a_. In this picture the beds resting against the wall are clearly shown, the sunken fireplace is surrounded by the occupants of the lodge, and on the extreme right are two pottery vessels and a bull-boat, so characteristic of the upper Missouri. Near the center of the large village, surrounded by the lodges, was the open space where games were played and their various ceremonies enacted. Referring to this, Catlin wrote (Op. cit., p. 88): "In the centre of the village is an open space, or public area, of 150 feet in diameter, and circular in form, which is used for all public games and festivals, shows and exhibitions and also for their 'annual religious ceremonies.'... The lodges around this open space front in, with their doors towards the centre; and in the middle of this circle stands an object of great religious veneration.... This object is in form of a large hogshead, some eight or ten feet high, made of planks and hoops.... One of the lodges fronting on this circular area, and facing this strange object of their superstition, is called the 'Medicine Lodge,' or council house. It is in this sacred building that these wonderful ceremonies, in commemoration of the flood, take place." Later Catlin witnessed the remarkable ceremony, as enacted by the Mandan in the midst of their large village, and prepared a series of paintings showing the various phases. The original pictures are in the collection belonging to the United States National Museum, and one, the last, showing what they termed the "last race," is now reproduced as plate 38, _b_. In the center of the open space stands the sacred object, "in form of a large hogshead." An outline drawing of this painting was reproduced as plate 69 in Catlin's work.