Villages of the Algonquian, Siouan, and Caddoan Tribes West of the MississippiBushnell, David I. (David Ives)
History
Villages of the Algonquian, Siouan, and Caddoan Tribes West of the Mississippi
Bushnell, David I. (David Ives)
Algonquian Indians; Caddoan Indians; Indians of North America -- Dwellings; Siouan Indians
The Hidatsa villages as seen by Catlin and Maximilian during the years
1832, 1833, and 1834 had probably changed little since the winter of
1804-05, when Lewis and Clark occupied Fort Mandan, their winter
quarters, some 8 miles below the mouth of Knife River. Describing the
villages, Catlin said the principal one stood on the bank of Knife River
and consisted of 40 or 50 earth-covered lodges, each from 40 to 50 feet
in diameter, and this town being on an elevated bank overlooked the
other two which were on lower ground "and almost lost amidst their
numerous corn fields and other profuse vegetation which cover the earth
with their luxuriant growth.
"The scenery along the banks of this little river, from village to
village, is quite peculiar and curious; rendered extremely so by the
continual wild and garrulous groups of men, women, and children, who are
wending their way along its winding shores, or dashing and plunging
through its blue waves, enjoying the luxury of swimming, of which both
sexes seem to be passionately fond. Others are paddling about in their
tub-like canoes, made of the skins of buffaloes." (Catlin, (1), I, p.
186.) Among the great collection of Catlin's paintings belonging to the
United States National Museum, in Washington, is one of the large
village. The original painting is reproduced in plate 43. A drawing of
the same was shown as plate 70 in Catlin's work cited above. The work is
crude but interesting historically, and conveys some idea of the
appearance of the town, although in this, as in other paintings by the
same artist, the earth lodges are very poorly drawn, failing to show the
projection which served as the entrance and having the roofs too rounded
and dome-shaped. Bodmer's sketches are far superior.
Public-domain text, read in full here on John Shaqi.
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