Villani's Chronicle: Being Selections from the First Nine Books of the Croniche Fiorentine of Giovanni VillaniVillani, Giovanni
History
Villani's Chronicle: Being Selections from the First Nine Books of the Croniche Fiorentine of Giovanni Villani
Villani, Giovanni
Florence (Italy) -- History
Catalano, and the other of the
party of the Ghibellines. And note that Jovial Friars was the name of
the Knights of S. Mary, and they became knights when they took that
habit, for they wore a white gown and a grey mantle; and for arms, a
white field with a red cross and two stars; and they were bound to
defend widows, and children under ward, and to be peace makers; and
other ordinances they had, as religious persons. And the said M.
Roderigo was the beginner of this Order; but it endured but a short
while, for the fact followed the name, to wit, they gave themselves
more to joviality than to aught else. These two friars were brought
thither by the people of Florence, and they put them in the People's
Palace over against the Badia, believing that by virtue of their habit
they would be impartial, and would guard the commonwealth from
extravagant spendings; the which, albeit in heart they were of diverse
parties, under cover of false hypocrisy were at one, more for their
own gain than for the public weal; and they ordained thirty-six good
men, merchants and artificers of the greatest and best which there
were in the city, the which were to give counsel to the said two
Podestas, and were to provide for the spendings of the commonwealth;
and of this number were both Guelfs and Ghibellines, popolani and
magnates which were to be trusted, which had remained in Florence at
the banishment of the Guelfs. And the said thirty-six met together
every day to take counsel as to the common well-being of the city, in
the shop and court of the consuls of Calimala, which was at the foot
of the house of the Cavalcanti in the Mercato Nuovo; the which made
many good ordinances for the common weal of the city, among which they
decreed that each one of the seven principal Arts in Florence should
have a college of consuls, and each should have its ensign and
standard, to the intent that, if any one in the city rose with force
of arms, they might under their ensigns stand for the defence of the
people and of the commonwealth. And the ensigns of the seven greater
Arts were these: the judges and notaries, an azure field charged with
a large golden star; the merchants of Calimala, to wit, of French
cloths, a red field with a golden eagle on a white globe; money
changers, a red field sewn with golden florins; wool merchants, a red
field charged with a white sheep; physicians and apothecaries, a red
field, thereupon S. Mary with her son Christ in her arms; silk
merchants and mercers, a white field charged with a red gate, from the
title of Porta Sante Marie; furriers, arms vair, and in one corner an
Agnus Dei upon an azure field. The next five, following upon the
greater arts, were regulated afterwards when the office of Priors of
the Arts was created, as in time hereafter we shall make mention; and
they had assigned to them after a similar fashion to the seven Arts,
standards and arms: to wit, the Baldrigari (that is, retail merchants
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