Villani's Chronicle: Being Selections from the First Nine Books of the Croniche Fiorentine of Giovanni VillaniVillani, Giovanni
History
Villani's Chronicle: Being Selections from the First Nine Books of the Croniche Fiorentine of Giovanni Villani
Villani, Giovanni
Florence (Italy) -- History
In the year of Christ 1282, the city of Florence being under
government of the order of the fourteen good men as the Cardinal
Latino had left it, to wit eight Guelfs and six Ghibellines, as we
afore made mention, it seemed to the citizens that this government of
fourteen was too numerous and confused; and to the end so many divided
hearts might be at one, and, above all, because it was not pleasing to
the Guelfs to have the Ghibellines as partners in the government by
reason of the events which were come to pass (such as the loss which
King Charles had already sustained of the island of Sicily, and the
coming into Tuscany of the imperial vicar, and likewise the wars begun
in Romagna by the count of Montefeltro on the Ghibelline side), for
the safety and welfare of the city of Florence they annulled the said
office of the fourteen and created and made a new office and lordship
for the government of the said city of Florence, to wit, the Priors of
the Arts; the which name, Priors of the Arts, means to say "the
first," chosen over the others; and it was taken from the Holy Gospel,
where Christ says to His disciples, "Vos estis priores." And this
invention and movement began among the consuls and council of the art
of Calimala, to which pertained the wisest and most powerful citizens
of Florence, and the most numerous following, both magnates and
popolani, of those which pursued the calling of merchants, seeing the
most part of them greatly loved the Guelf party and Holy Church. And
the first priors of the Arts were three, whereof the names were these:
Bartolo di M. Jacopo de' Bardi, for the sesto of Oltrarno and for the
art of Calimala; Rosso Bacherelli, for the sesto of San Piero
Scheraggio, for the art of the exchangers; Salvi del Chiaro Girolami,
for the sesto of San Brancazio and for the woollen art. And their
office began in the middle of June of the said year, and lasted for
two months, unto the middle of August, and thus three priors were to
succeed every two months, for the three greater Arts. And they were
shut up to give audience (sleeping and eating at the charges of the
commonwealth), in the house of the Badia where formerly, as we have
aforesaid, the Ancients were wont to assemble in the time of the old
Popolo, and afterwards the fourteen. And there were assigned to the
said priors six constables and six messengers to summon the citizens;
and these priors, with the Captain of the Popolo, had to determine
the great and weighty matters of the commonwealth, and to summon and
conduct councils and make regulations. And when the office had endured
the two months, it was pleasing to the citizens; and for the following
two months they proclaimed six, one for each sesto, and added to the
said three greater Arts the art of the doctors and apothecaries, and
the art of the Porta Santae Mariae, and that of the furriers and
skin-dressers; and afterwards from time to time all the others were
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