Villani's Chronicle: Being Selections from the First Nine Books of the Croniche Fiorentine of Giovanni VillaniVillani, Giovanni
History
Villani's Chronicle: Being Selections from the First Nine Books of the Croniche Fiorentine of Giovanni Villani
Villani, Giovanni
Florence (Italy) -- History
After that the Fiesolans were come in great part to dwell in Florence,
as aforesaid, the city multiplied in inhabitants and population; and
as it increased in suburbs and dwellings, outside the small old city,
after a little while it behoved of necessity that the city should
increase its circuit, first with moats and palisades; and then in the
time of Henry the Emperor they made the walls, to the end the suburbs
and outgrowths, by reason of the wars which arose in Tuscany about
the matter of the said Henry, might not be taken nor destroyed, and
the city more readily besieged by its enemies. Wherefore, at that
time, in the year of Christ 1078, as hereafter, in narrating the story
of Henry III., shall be mentioned, the Florentines began the new
walls, beginning from the east side at the gate of S. Piero Maggiore,
the which was somewhat behind the church so called, enclosing the
suburb of S. Piero Maggiore and the said church within the new walls,
and afterwards, drawing them nearer in on the north side, a little
distance from the said suburb, they made an angle at a postern which
was called the Albertinelli Gate from a family which dwelt in that
place, which was so called; then they drew them on as far as the gate
of the Borgo S. Lorenzo [suburb of S. Lawrence] enclosing the said
church within the walls; and after this were two posterns, one at the
forked way of the Campo Corbolini, and the other the one afterwards
called the Porta del Baschiera. Then they ran on as far as the Porta
S. Paolo, and then continued as far as the Carraia Gate, where the
wall ended, by the Arno; and there afterwards they began and built a
bridge which is called the Carraia Bridge from the name of that gate;
and then the walls continuing, not however very high, along the bank
of the Arno, included what had been without the old walls, to wit the
suburb of San Brancazio [S. Pancras], and that of Parione, and that of
Santo Apostolo, and of the Porte Sante Marie as far as the Ponte
Vecchio; and then afterwards along the bank of Arno as far as the
fortress of Altafonte. From this point the walls withdrew somewhat
from the bank of Arno, so that there remained a road between, and two
postern gates whereby to come at the river; then they went on the
same, and took a turn where now are the supports of the Rubaconte
Bridge, and there at the turn was a gate called the Oxen Gate, because
there without was held the cattle market, and afterwards it was named
the gate of Master Ruggieri da Quona, forasmuch as the family of da
Quona, when they came to dwell in the city, established themselves
near the said gate. Then the walls went on behind S. Jacopo tra le
Fosse (so called because it stood on fosses), as far as where to-day
is the end of the piazza before the church of the Minor Friars called
Santa Croce; and there was a postern which led to the island of Arno;
then the walls went on in a straight line without any gate or postern,
returning to S. Piero Maggiore whence they began.
Public-domain text, read in full here on John Shaqi.
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