Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
“De l’ordre! Du silence!” cried M. Paul. “Is this chaos?”, he demanded;
and there was a hush. With a dozen words, and as many gestures, he
turned out half the persons present, and obliged the remnant to fall
into rank. Those left were all in costume: they were the performers,
and this was the green-room. M. Paul introduced me. All stared and some
tittered. It was a surprise: they had not expected the Englishwoman
would play in a _vaudeville_. Ginevra Fanshawe, beautifully dressed for
her part, and looking fascinatingly pretty, turned on me a pair of eyes
as round as beads. In the highest spirit, unperturbed by fear or
bashfulness, delighted indeed at the thought of shining off before
hundreds—my entrance seemed to transfix her with amazement in the midst
of her joy. She would have exclaimed, but M. Paul held her and all the
rest in check.
Having surveyed and criticized the whole troop, he turned to me.
“You, too, must be dressed for your part.”
“Dressed—dressed like a man!” exclaimed Zélie St. Pierre, darting
forwards; adding with officiousness, “I will dress her myself.”
To be dressed like a man did not please, and would not suit me. I had
consented to take a man’s name and part; as to his dress—_halte là!_
No. I would keep my own dress, come what might. M. Paul might storm,
might rage: I would keep my own dress. I said so, with a voice as
resolute in intent, as it was low, and perhaps unsteady in utterance.
He did not immediately storm or rage, as I fully thought he would he
stood silent. But Zélie again interposed.
“She will make a capital _petit-mâitre_. Here are the garments, all—all
complete: somewhat too large, but—I will arrange all that. Come, chère
amie—belle Anglaise!”
And she sneered, for I was not “belle.” She seized my hand, she was
drawing me away. M. Paul stood impassable—neutral.
“You must not resist,” pursued St. Pierre—for resist I did. “You will
spoil all, destroy the mirth of the piece, the enjoyment of the
company, sacrifice everything to your _amour-propre_. This would be too
bad—monsieur will never permit this?”
She sought his eye. I watched, likewise, for a glance. He gave her one,
and then he gave me one. “Stop!” he said slowly, arresting St. Pierre,
who continued her efforts to drag me after her. Everybody awaited the
decision. He was not angry, not irritated; I perceived that, and took
heart.
“You do not like these clothes?” he asked, pointing to the masculine
vestments.
“I don’t object to some of them, but I won’t have them all.”
“How must it be, then? How accept a man’s part, and go on the stage
dressed as a woman? This is an amateur affair, it is true—a _vaudeville
de pensionnat;_ certain modifications I might sanction, yet something
you must have to announce you as of the nobler sex.”
“And I will, Monsieur; but it must be arranged in my own way: nobody
must meddle; the things must not be forced upon me. Just let me dress
myself.”
Public-domain text, read in full here on John Shaqi.
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