It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude, suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was, indeed, extremely well fed: very much butcher’s meat—to say nothing of bread, vegetables, and liquids—must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half-reclined on a couch: why, it would be difficult to say; broad daylight blazed round her; she appeared in hearty health, strong enough to do the work of two plain cooks; she could not plead a weak spine; she ought to have been standing, or at least sitting bolt upright. She, had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments; a gown covering her properly, which was not the case: out of abundance of material—seven-and-twenty yards, I should say, of drapery—she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans—perhaps I ought to say vases and goblets—were rolled here and there on the foreground; a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalogue, I found that this notable production bore the name “Cleopatra.” Well, I was sitting wondering at it (as the bench was there, I thought I might as well take advantage of its accommodation), and thinking that while some of the details—as roses, gold cups, jewels, &c., were very prettily painted, it was on the whole an enormous piece of claptrap; the room, almost vacant when I entered, began to fill. Scarcely noticing this circumstance (as, indeed, it did not matter to me) I retained my seat; rather to rest myself than with a view to studying this huge, dark-complexioned gipsy-queen; of whom, indeed, I soon tired, and betook myself for refreshment to the contemplation of some exquisite little pictures of still life: wild-flowers, wild-fruit, mossy wood-nests, casketing eggs that looked like pearls seen through clear green sea-water; all hung modestly beneath that coarse and preposterous canvas. Suddenly a light tap visited my shoulder. Starting, turning, I met a face bent to encounter mine; a frowning, almost a shocked face it was. “Que faites-vous ici?” said a voice. “Mais, Monsieur, je m’amuse.” “Vous vous amusez! et à quoi, s’il vous plait? Mais d’abord, faites-moi le plaisir de vous lever; prenez mon bras, et allons de l’autre côté.” I did precisely as I was bid. M. Paul Emanuel (it was he) returned from Rome, and now a travelled man, was not likely to be less tolerant of insubordination now, than before this added distinction laurelled his temples. “Permit me to conduct you to your party,” said he, as we crossed the room. “I have no party.” “You are not alone?” “Yes, Monsieur.”