Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
“Alas! the cruelty of my lot!” responded her son. “Never man had a more
unsentimental mother than mine: she never seems to think that such a
calamity can befall her as a daughter-in-law.”
“If I don’t, it is not for want of having that same calamity held over
my head: you have threatened me with it for the last ten years. ‘Mamma,
I am going to be married soon!’ was the cry before you were well out of
jackets.”
“But, mother, one of these days it will be realized. All of a sudden,
when you think you are most secure, I shall go forth like Jacob or
Esau, or any other patriarch, and take me a wife: perhaps of these
which are of the daughters of the land.”
“At your peril, John Graham! that is all.”
“This mother of mine means me to be an old bachelor. What a jealous old
lady it is! But now just look at that splendid creature in the pale
blue satin dress, and hair of paler brown, with ‘reflets satinés’ as
those of her robe. Would you not feel proud, mamma, if I were to bring
that goddess home some day, and introduce her to you as Mrs. Bretton,
junior?”
“You will bring no goddess to La Terrasse: that little château will not
contain two mistresses; especially if the second be of the height,
bulk, and circumference of that mighty doll in wood and wax, and kid
and satin.”
“Mamma, she would fill your blue chair so admirably!”
“Fill my chair? I defy the foreign usurper! a rueful chair should it be
for her: but hush, John Graham! Hold your tongue, and use your eyes.”
During the above skirmish, the hall, which, I had thought, seemed full
at the entrance, continued to admit party after party, until the
semicircle before the stage presented one dense mass of heads, sloping
from floor to ceiling. The stage, too, or rather the wide temporary
platform, larger than any stage, desert half an hour since, was now
overflowing with life; round two grand pianos, placed about the centre,
a white flock of young girls, the pupils of the Conservatoire, had
noiselessly poured. I had noticed their gathering, while Graham and his
mother were engaged in discussing the belle in blue satin, and had
watched with interest the process of arraying and marshalling them. Two
gentlemen, in each of whom I recognised an acquaintance, officered this
virgin troop. One, an artistic-looking man, bearded, and with long
hair, was a noted pianiste, and also the first music-teacher in
Villette; he attended twice a week at Madame Beck’s pensionnat, to give
lessons to the few pupils whose parents were rich enough to allow their
daughters the privilege of his instructions; his name was M. Josef
Emanuel, and he was half-brother to M. Paul: which potent personage was
now visible in the person of the second gentleman.
Public-domain text, read in full here on John Shaqi.
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