Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
“For this reason,” he muttered in my ear. “Ginevra is neither a pure
angel, nor a pure-minded woman.”
“Nonsense! you exaggerate: she has no great harm in her.”
“Too much for me. _I_ can see where _you_ are blind. Now dismiss the
subject. Let me amuse myself by teasing mamma: I will assert that she
is flagging. Mamma, pray rouse yourself.”
“John, I will certainly rouse you if you are not better conducted. Will
you and Lucy be silent, that I may hear the singing?”
They were then thundering in a chorus, under cover of which all the
previous dialogue had taken place.
“_You_ hear the singing, mamma! Now, I will wager my studs, which are
genuine, against your paste brooch—”
“My paste brooch, Graham? Profane boy! you know that it is a stone of
value.”
“Oh! that is one of your superstitions: you were cheated in the
business.”
“I am cheated in fewer things than you imagine. How do you happen to be
acquainted with young ladies of the court, John? I have observed two of
them pay you no small attention during the last half-hour.”
“I wish you would not observe them.”
“Why not? Because one of them satirically levels her eyeglass at me?
She is a pretty, silly girl: but are you apprehensive that her titter
will discomfit the old lady?”
“The sensible, admirable old lady! Mother, you are better to me than
ten wives yet.”
“Don’t be demonstrative, John, or I shall faint, and you will have to
carry me out; and if that burden were laid upon you, you would reverse
your last speech, and exclaim, ‘Mother, ten wives could hardly be worse
to me than you are!’”
The concert over, the Lottery “au bénéfice des pauvres” came next: the
interval between was one of general relaxation, and the pleasantest
imaginable stir and commotion. The white flock was cleared from the
platform; a busy throng of gentlemen crowded it instead, making
arrangements for the drawing; and amongst these—the busiest of
all—re-appeared that certain well-known form, not tall but active,
alive with the energy and movement of three tall men. How M. Paul did
work! How he issued directions, and, at the same time, set his own
shoulder to the wheel! Half-a-dozen assistants were at his beck to
remove the pianos, &c.; no matter, he must add to their strength his
own. The redundancy of his alertness was half-vexing, half-ludicrous:
in my mind I both disapproved and derided most of this fuss. Yet, in
the midst of prejudice and annoyance, I could not, while watching,
avoid perceiving a certain not disagreeable naïveté in all he did and
said; nor could I be blind to certain vigorous characteristics of his
physiognomy, rendered conspicuous now by the contrast with a throng of
tamer faces: the deep, intent keenness of his eye, the power of his
forehead, pale, broad, and full—the mobility of his most flexible
mouth. He lacked the calm of force, but its movement and its fire he
signally possessed.
Public-domain text, read in full here on John Shaqi.
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