Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
I did not live on letters only: I was visited, I was looked after; once
a week I was taken out to La Terrasse; always I was made much of. Dr.
Bretton failed not to tell me _why_ he was so kind: “To keep away the
nun,” he said; “he was determined to dispute with her her prey. He had
taken,” he declared, “a thorough dislike to her, chiefly on account of
that white face-cloth, and those cold grey eyes: the moment he heard of
those odious particulars,” he affirmed, “consummate disgust had incited
him to oppose her; he was determined to try whether he or she was the
cleverest, and he only wished she would once more look in upon me when
he was present:” but _that_ she never did. In short, he regarded me
scientifically in the light of a patient, and at once exercised his
professional skill, and gratified his natural benevolence, by a course
of cordial and attentive treatment.
One evening, the first in December, I was walking by myself in the
carré; it was six o’clock; the classe-doors were closed; but within,
the pupils, rampant in the licence of evening recreation, were
counterfeiting a miniature chaos. The carré was quite dark, except a
red light shining under and about the stove; the wide glass-doors and
the long windows were frosted over; a crystal sparkle of starlight,
here and there spangling this blanched winter veil, and breaking with
scattered brilliance the paleness of its embroidery, proved it a clear
night, though moonless. That I should dare to remain thus alone in
darkness, showed that my nerves were regaining a healthy tone: I
thought of the nun, but hardly feared her; though the staircase was
behind me, leading up, through blind, black night, from landing to
landing, to the haunted grenier. Yet I own my heart quaked, my pulse
leaped, when I suddenly heard breathing and rustling, and turning, saw
in the deep shadow of the steps a deeper shadow still—a shape that
moved and descended. It paused a while at the classe-door, and then it
glided before me. Simultaneously came a clangor of the distant
door-bell. Life-like sounds bring life-like feelings: this shape was
too round and low for my gaunt nun: it was only Madame Beck on duty.
“Mademoiselle Lucy!” cried Rosine, bursting in, lamp in hand, from the
corridor, “on est là pour vous au salon.”
Madame saw me, I saw Madame, Rosine saw us both: there was no mutual
recognition. I made straight for the salon. There I found what I own I
anticipated I should find—Dr. Bretton; but he was in evening-dress.
“The carriage is at the door,” said he; “my mother has sent it to take
you to the theatre; she was going herself, but an arrival has prevented
her: she immediately said, ‘Take Lucy in my place.’ Will you go?”
“Just now? I am not dressed,” cried I, glancing despairingly at my dark
merino.
“You have half an hour to dress. I should have given you notice, but I
only determined on going since five o’clock, when I heard there was to
be a genuine regale in the presence of a great actress.”
Public-domain text, read in full here on John Shaqi.
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