Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
Paulina was awed by the savants, but not quite to mutism: she conversed
modestly, diffidently; not without effort, but with so true a
sweetness, so fine and penetrating a sense, that her father more than
once suspended his own discourse to listen, and fixed on her an eye of
proud delight. It was a polite Frenchman, M. Z——, a very learned, but
quite a courtly man, who had drawn her into discourse. I was charmed
with her French; it was faultless—the structure correct, the idioms
true, the accent pure; Ginevra, who had lived half her life on the
Continent, could do nothing like it not that words ever failed Miss
Fanshawe, but real accuracy and purity she neither possessed, nor in
any number of years would acquire. Here, too, M. de Bassompierre was
gratified; for, on the point of language, he was critical.
Another listener and observer there was; one who, detained by some
exigency of his profession, had come in late to dinner. Both ladies
were quietly scanned by Dr. Bretton, at the moment of taking his seat
at the table; and that guarded survey was more than once renewed. His
arrival roused Miss Fanshawe, who had hitherto appeared listless: she
now became smiling and complacent, talked—though what she said was
rarely to the purpose—or rather, was of a purpose somewhat mortifyingly
below the standard of the occasion. Her light, disconnected prattle
might have gratified Graham once; perhaps it pleased him still: perhaps
it was only fancy which suggested the thought that, while his eye was
filled and his ear fed, his taste, his keen zest, his lively
intelligence, were not equally consulted and regaled. It is certain
that, restless and exacting as seemed the demand on his attention, he
yielded courteously all that was required: his manner showed neither
pique nor coolness: Ginevra was his neighbour, and to her, during
dinner, he almost exclusively confined his notice. She appeared
satisfied, and passed to the drawing-room in very good spirits.
Public-domain text, read in full here on John Shaqi.
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