I lifted my eyes: his face, instead of being irate, lowering, and furrowed, was overflowing with the smile, coloured with the bloom I had seen brightening it that evening at the Hotel Crécy. He was not angry—not even grieved. For the real injury he showed himself full of clemency; under the real provocation, patient as a saint. This event, which seemed so untoward—which I thought had ruined at once my chance of successful persuasion—proved my best help. Difficult of management so long as I had done him no harm, he became graciously pliant as soon as I stood in his presence a conscious and contrite offender. Still gently railing at me as “une forte femme—une Anglaise terrible—une petite casse-tout”—he declared that he dared not but obey one who had given such an instance of her dangerous prowess; it was absolutely like the “grand Empereur smashing the vase to inspire dismay.” So, at last, crowning himself with his bonnet-grec, and taking his ruined “lunettes” from my hand with a clasp of kind pardon and encouragement, he made his bow, and went off to the Athénée in first-rate humour and spirits. After all this amiability, the reader will be sorry for my sake to hear that I was quarrelling with M. Paul again before night; yet so it was, and I could not help it. It was his occasional custom—and a very laudable, acceptable custom, too—to arrive of an evening, always à l’improviste, unannounced, burst in on the silent hour of study, establish a sudden despotism over us and our occupations, cause books to be put away, work-bags to be brought out, and, drawing forth a single thick volume, or a handful of pamphlets, substitute for the besotted “lecture pieuse,” drawled by a sleepy pupil, some tragedy made grand by grand reading, ardent by fiery action—some drama, whereof, for my part, I rarely studied the intrinsic merit; for M. Emanuel made it a vessel for an outpouring, and filled it with his native verve and passion like a cup with a vital brewage. Or else he would flash through our conventual darkness a reflex of a brighter world, show us a glimpse of the current literature of the day, read us passages from some enchanting tale, or the last witty feuilleton which had awakened laughter in the saloons of Paris; taking care always to expunge, with the severest hand, whether from tragedy, melodrama, tale, or essay, whatever passage, phrase, or word, could be deemed unsuited to an audience of “jeunes filles.” I noticed more than once, that where retrenchment without substitute would have left unmeaning vacancy, or introduced weakness, he could, and did, improvise whole paragraphs, no less vigorous than irreproachable; the dialogue—the description—he engrafted was often far better than that he pruned away.