Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
Here I could not avoid opening my eyes somewhat wide, and even slipping
in a slight interjectional observation: “Vivacities? Impetus? Fougue? I
didn’t know….”
“Chut! à l’instant! There! there I went—vive comme la poudre!” He was
sorry—he was very sorry: for my sake he grieved over the hapless
peculiarity. This “emportement,” this “chaleur”—generous, perhaps, but
excessive—would yet, he feared, do me a mischief. It was a pity: I was
not—he believed, in his soul—wholly without good qualities: and would I
but hear reason, and be more sedate, more sober, less “en l’air,” less
“coquette,” less taken by show, less prone to set an undue value on
outside excellence—to make much of the attentions of people remarkable
chiefly for so many feet of stature, “des couleurs de poupée,” “un nez
plus ou moins bien fait,” and an enormous amount of fatuity—I might yet
prove an useful, perhaps an exemplary character. But, as it was—And
here, the little man’s voice was for a minute choked.
I would have looked up at him, or held out my hand, or said a soothing
word; but I was afraid, if I stirred, I should either laugh or cry; so
odd, in all this, was the mixture of the touching and the absurd.
I thought he had nearly done: but no; he sat down that he might go on
at his ease.
“While he, M. Paul, was on these painful topics, he would dare my anger
for the sake of my good, and would venture to refer to a change he had
noticed in my dress. He was free to confess that when he first knew
me—or, rather, was in the habit of catching a passing glimpse of me
from time to time—I satisfied him on this point: the gravity, the
austere simplicity, obvious in this particular, were such as to inspire
the highest hopes for my best interests. What fatal influence had
impelled me lately to introduce flowers under the brim of my bonnet, to
wear ‘des cols brodés,’ and even to appear on one occasion in a
_scarlet gown_—he might indeed conjecture, but, for the present, would
not openly declare.”
Again I interrupted, and this time not without an accent at once
indignant and horror-struck.
“Scarlet, Monsieur Paul? It was not scarlet! It was pink, and pale pink
too, and further subdued by black lace.”
“Pink or scarlet, yellow or crimson, pea-green or sky-blue, it was all
one: these were all flaunting, giddy colours; and as to the lace I
talked of, _that_ was but a ‘colifichet de plus.’” And he sighed over
my degeneracy. “He could not, he was sorry to say, be so particular on
this theme as he could wish: not possessing the exact names of these
‘babioles,’ he might run into small verbal errors which would not fail
to lay him open to my sarcasm, and excite my unhappily sudden and
passionate disposition. He would merely say, in general terms—and in
these general terms he knew he was correct—that my costume had of late
assumed ‘des façons mondaines,’ which it wounded him to see.”
Public-domain text, read in full here on John Shaqi.
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