Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
At last, when he had changed his place for about the sixth time,
finding still the same untoward result to the experiment—he thrust his
head forward, settled his eyes on mine, and demanded with impatience,
“Qu’est-ce que c’est? Vous me jouez des tours?”
The words were hardly out of his mouth, however, ere, with his
customary quickness, he seized the root of this proceeding: in vain I
shook out the long fringe, and spread forth the broad end of my scarf.
“A-h-h! c’est la robe rose!” broke from his lips, affecting me very
much like the sudden and irate low of some lord of the meadow.
“It is only cotton,” I alleged, hurriedly; “and cheaper, and washes
better than any other colour.”
“Et Mademoiselle Lucy est coquette comme dix Parisiennes,” he answered.
“A-t-on jamais vu une Anglaise pareille. Regardez plutôt son chapeau,
et ses gants, et ses brodequins!” These articles of dress were just
like what my companions wore; certainly not one whit smarter—perhaps
rather plainer than most—but Monsieur had now got hold of his text, and
I began to chafe under the expected sermon. It went off, however, as
mildly as the menace of a storm sometimes passes on a summer day. I got
but one flash of sheet lightning in the shape of a single bantering
smile from his eyes; and then he said, “Courage!—à vrai dire je ne suis
pas fâché, peut-être même suis je content qu’on s’est fait si belle
pour ma petite fête.”
“Mais ma robe n’est pas belle, Monsieur—elle n’est que propre.”
“J’aime la propreté,” said he. In short, he was not to be dissatisfied;
the sun of good humour was to triumph on this auspicious morning; it
consumed scudding clouds ere they sullied its disk.
And now we were in the country, amongst what they called “les bois et
les petits sentiers.” These woods and lanes a month later would offer
but a dusty and doubtful seclusion: now, however, in their May
greenness and morning repose, they looked very pleasant.
We reached a certain well, planted round, in the taste of Labassecour,
with an orderly circle of lime-trees: here a halt was called; on the
green swell of ground surrounding this well, we were ordered to be
seated, Monsieur taking his place in our midst, and suffering us to
gather in a knot round him. Those who liked him more than they feared,
came close, and these were chiefly little ones; those who feared more
than they liked, kept somewhat aloof; those in whom much affection had
given, even to what remained of fear, a pleasurable zest, observed the
greatest distance.
He began to tell us a story. Well could he narrate: in such a diction
as children love, and learned men emulate; a diction simple in its
strength, and strong in its simplicity. There were beautiful touches in
that little tale; sweet glimpses of feeling and hues of description
that, while I listened, sunk into my mind, and since have never faded.
He tinted a twilight scene—I hold it in memory still—such a picture I
have never looked on from artist’s pencil.
Public-domain text, read in full here on John Shaqi.
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