Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
I fear a high wind, because storm demands that exertion of strength and
use of action I always yield with pain; but the sullen down-fall, the
thick snow-descent, or dark rush of rain, ask only resignation—the
quiet abandonment of garments and person to be drenched. In return, it
sweeps a great capital clean before you; it makes you a quiet path
through broad, grand streets; it petrifies a living city as if by
eastern enchantment; it transforms a Villette into a Tadmor. Let, then,
the rains fall, and the floods descend—only I must first get rid of
this basket of fruit.
An unknown clock from an unknown tower (Jean Baptiste’s voice was now
too distant to be audible) was tolling the third quarter past five,
when I reached that street and house whereof Madame Beck had given me
the address. It was no street at all; it seemed rather to be part of a
square: it was quiet, grass grew between the broad grey flags, the
houses were large and looked very old—behind them rose the appearance
of trees, indicating gardens at the back. Antiquity brooded above this
region, business was banished thence. Rich men had once possessed this
quarter, and once grandeur had made her seat here. That church, whose
dark, half-ruinous turrets overlooked the square, was the venerable and
formerly opulent shrine of the Magi. But wealth and greatness had long
since stretched their gilded pinions and fled hence, leaving these
their ancient nests, perhaps to house Penury for a time, or perhaps to
stand cold and empty, mouldering untenanted in the course of winters.
As I crossed this deserted “place,” on whose pavement drops almost as
large as a five-franc piece were now slowly darkening, I saw, in its
whole expanse, no symptom or evidence of life, except what was given in
the figure of an infirm old priest, who went past, bending and propped
on a staff—the type of eld and decay.
He had issued from the very house to which I was directed; and when I
paused before the door just closed after him, and rang the bell, he
turned to look at me. Nor did he soon avert his gaze; perhaps he
thought me, with my basket of summer fruit, and my lack of the dignity
age confers, an incongruous figure in such a scene. I know, had a young
ruddy-faced bonne opened the door to admit me, I should have thought
such a one little in harmony with her dwelling; but, when I found
myself confronted by a very old woman, wearing a very antique peasant
costume, a cap alike hideous and costly, with long flaps of native
lace, a petticoat and jacket of cloth, and sabots more like little
boats than shoes, it seemed all right, and soothingly in character.
Public-domain text, read in full here on John Shaqi.
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