Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
Being delivered into the charge of the maîtresse, I was led through a
long narrow passage into a foreign kitchen, very clean but very
strange. It seemed to contain no means of cooking—neither fireplace nor
oven; I did not understand that the great black furnace which filled
one corner, was an efficient substitute for these. Surely pride was not
already beginning its whispers in my heart; yet I felt a sense of
relief when, instead of being left in the kitchen, as I half
anticipated, I was led forward to a small inner room termed a
“cabinet.” A cook in a jacket, a short petticoat and sabots, brought my
supper: to wit—some meat, nature unknown, served in an odd and acid,
but pleasant sauce; some chopped potatoes, made savoury with, I know
not what: vinegar and sugar, I think: a tartine, or slice of bread and
butter, and a baked pear. Being hungry, I ate and was grateful.
After the “prière du soir,” Madame herself came to have another look at
me. She desired me to follow her up-stairs. Through a series of the
queerest little dormitories—which, I heard afterwards, had once been
nuns’ cells: for the premises were in part of ancient date—and through
the oratory—a long, low, gloomy room, where a crucifix hung, pale,
against the wall, and two tapers kept dim vigils—she conducted me to an
apartment where three children were asleep in three tiny beds. A heated
stove made the air of this room oppressive; and, to mend matters, it
was scented with an odour rather strong than delicate: a perfume,
indeed, altogether surprising and unexpected under the circumstances,
being like the combination of smoke with some spirituous essence—a
smell, in short, of whisky.
Beside a table, on which flared the remnant of a candle guttering to
waste in the socket, a coarse woman, heterogeneously clad in a broad
striped showy silk dress, and a stuff apron, sat in a chair fast
asleep. To complete the picture, and leave no doubt as to the state of
matters, a bottle and an empty glass stood at the sleeping beauty’s
elbow.
Madame contemplated this remarkable tableau with great calm; she
neither smiled nor scowled; no impress of anger, disgust, or surprise,
ruffled the equality of her grave aspect; she did not even wake the
woman! Serenely pointing to a fourth bed, she intimated that it was to
be mine; then, having extinguished the candle and substituted for it a
night-lamp, she glided through an inner door, which she left ajar—the
entrance to her own chamber, a large, well-furnished apartment; as was
discernible through the aperture.
My devotions that night were all thanksgiving. Strangely had I been led
since morning—unexpectedly had I been provided for. Scarcely could I
believe that not forty-eight hours had elapsed since I left London,
under no other guardianship than that which protects the
passenger-bird—with no prospect but the dubious cloud-tracery of hope.
Public-domain text, read in full here on John Shaqi.
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