Autobiographical fiction; British -- Belgium -- Fiction; Brussels (Belgium) -- Fiction; Love stories; Women teachers -- Fiction
I was a light sleeper; in the dead of night I suddenly awoke. All was
hushed, but a white figure stood in the room—Madame in her night-dress.
Moving without perceptible sound, she visited the three children in the
three beds; she approached me: I feigned sleep, and she studied me
long. A small pantomime ensued, curious enough. I daresay she sat a
quarter of an hour on the edge of my bed, gazing at my face. She then
drew nearer, bent close over me; slightly raised my cap, and turned
back the border so as to expose my hair; she looked at my hand lying on
the bedclothes. This done, she turned to the chair where my clothes
lay: it was at the foot of the bed. Hearing her touch and lift them, I
opened my eyes with precaution, for I own I felt curious to see how far
her taste for research would lead her. It led her a good way: every
article did she inspect. I divined her motive for this proceeding, viz.
the wish to form from the garments a judgment respecting the wearer,
her station, means, neatness, &c. The end was not bad, but the means
were hardly fair or justifiable. In my dress was a pocket; she fairly
turned it inside out: she counted the money in my purse; she opened a
little memorandum-book, coolly perused its contents, and took from
between the leaves a small plaited lock of Miss Marchmont’s grey hair.
To a bunch of three keys, being those of my trunk, desk, and work-box,
she accorded special attention: with these, indeed, she withdrew a
moment to her own room. I softly rose in my bed and followed her with
my eye: these keys, reader, were not brought back till they had left on
the toilet of the adjoining room the impress of their wards in wax. All
being thus done decently and in order, my property was returned to its
place, my clothes were carefully refolded. Of what nature were the
conclusions deduced from this scrutiny? Were they favourable or
otherwise? Vain question. Madame’s face of stone (for of stone in its
present night aspect it looked: it had been human, and, as I said
before, motherly, in the salon) betrayed no response.
Her duty done—I felt that in her eyes this business was a duty—she
rose, noiseless as a shadow: she moved towards her own chamber; at the
door, she turned, fixing her eye on the heroine of the bottle, who
still slept and loudly snored. Mrs. Svini (I presume this was Mrs.
Svini, Anglicé or Hibernicé, Sweeny)—Mrs. Sweeny’s doom was in Madame
Beck’s eye—an immutable purpose that eye spoke: Madame’s visitations
for shortcomings might be slow, but they were sure. All this was very
un-English: truly I was in a foreign land.
Public-domain text, read in full here on John Shaqi.
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