Frontier and pioneer life -- Indiana -- Fiction; Historical fiction
"He's in jail, charged with stealing sheep and calves, and he's
started to talk. Now, look here, Lapelle, I'm your friend, but if
you are mixed up in this business the sooner you get out of here
the better it will suit me. Wait a minute! I've got more to say. I
know you're planning to go down on the boat to-morrow, but I don't
believe it's soon enough. I've seen Gwynne. He says in plain English
that he won't fight a duel with a horse-thief. He must have some
reason for saying that. He has been employed as Moll Hawk's lawyer.
She's probably been talking, too. I've been thinking pretty hard
the last ten minutes or so, and I'm beginning to understand why you
wanted me to arrange the duel for day after to-morrow when you knew
you were leaving town on the _Revere_ in the morning. You were trying
to throw Gwynne off the track. I thought at first it was because
you were afraid to fight him, but now I see things differently. I'll
be obliged to you if you'll come straight out and tell me what's
in the air. I'm a square man and I like to know whether I'm dealing
with square men or not."
Lapelle sat up suddenly on the edge of the bed. Somehow, it seemed
to Trentman, the greenish yellow had spread lightly over the rest
of his face.
"You say Martin's in jail for stealing?" he asked, gripping the
corn-husk bedtick with tense, nervous fingers, "and not in connection
with the killing of Suggs?"
"Yep. And I sort of guess you'll be with him before you're much
older, if Gwynne knows what he's--"
"I've got to get out of this town to-night, Jack," cried the younger
man, starting to his feet. "Understand, I'm not saying I am mixed
up in any way with Hawk and his crowd, but--but I've got important
business in Attica early to-morrow morning. That's all you can get
me to say. I'll sneak up the back road to the tavern and pack my
saddle-bags this afternoon, and I'll leave money with you to settle
with Johnson. I may have to ask you to fetch my horse down here--"
Public-domain text, read in full here on John Shaqi.
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