Frontier and pioneer life -- Indiana -- Fiction; Historical fiction
There was a strange, new vivacity in her manner, too,--something
that hurt rather than cheered him. He heard her singing about the
house,--gay, larksome little snatches,--and she whistled merrily
as she worked in the garden. Somehow her very light-heartedness
added to his despair. What right had she to be happy and gay and
cheerful whilst he was so miserable? Had he not told her in so many
words that he loved her? Did that mean nothing to her? Why should
she sing and whistle in her own domain when she must have known
that he was suffering in his, not twenty rods away? He was conscious
at times of a sense of injury, and as the time drew near for his
departure without so much as a sign of regret or even interest on
her part, this feeling deepened into resentment.
He was very stiff and formal as he approached the porch on which
Viola and her mother were seated, enjoying the cool evening breeze
that had sprung up at the end of the hot and sultry day. A strange
woman and two small children, refugees from the Grand Prairie, had
been given shelter by Mrs. Gwyn, but they had already gone to bed.
"We are off at daybreak," he said, standing before them, his hat
in his hand. "I thought I would come over to say good-bye."
His hungry gaze swept over the figure of the girl, shadowy and
indistinct in the semi-darkness. To his amazement, he saw that she
was attired in the frock she had worn on that unforgettable night
at Striker's. She leaned forward and held out her hand to him. As
he took it he looked up into her dusky face and caught his breath.
Good heaven! She was actually smiling! Smiling when he was going
away perhaps never to return alive!
She did not speak. It was Rachel Carter who said, quietly:
"Thank you for coming over, Kenneth. We would not have allowed you
to go, however, without saying good-bye and wishing you well on
this hazardous undertaking. May God protect you and all the brave
men who go out with you."
He had not released Viola's hand. Suddenly her grip tightened; her
other hand was raised quickly to her face, and he was dumbfounded
to see that she was dabbing at her eyes with her handkerchief. His
heart swelled. She had been smiling bravely all the while her eyes
were filled with tears. And now he knew why she was silent. He
lifted her hand to his lips.
"I want you to know, Viola dear, before I go away," he said huskily,
"that I can and will give you back the name of Gwynne, and with
my name I give more love than ever any man had for woman before in
all this world. I lay my heart at your feet. It is yours whether
you choose to pick it up or not."
She slowly withdrew her hand. Neither of them heard the long, deep
sigh in the darkness beside them.
"I don't know what to say to you, Kenny," she murmured, almost
inaudibly.
"There is nothing for you to say, Viola, unless you love me. I am
sorry if I have distressed you. I only wanted you to know before
I go away that I love you."
Public-domain text, read in full here on John Shaqi.
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