Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
Carrasco reveals that his deep instinct against Don Quixote is
buttressed by a shallow understanding. When the old knight saw the
familiar face of his friend within the vizor of the defeated _caballero
de los espejos_, he was not troubled: he knew that magic had turned the
truth of the defeated warrior into the face of his neighbor, the
bachelor Sansón Carrasco. Had he now been told that the Knight of the
White Moon appeared to others as this same bachelor, he would have found
a similar solution--and obeyed the knight, though his heart broke.
So now, stripped of his harness, Don Quixote makes his ashen way
homeward from Barcelona. He does not yet know that he is vanquished for
good. His word binds him for a year: thereafter, can he not sally forth
again? Meantime, he need not stay idle in a gross world of facts. “If it
seem well to thee,” he tells his squire, “I should like that we turn
pastors even for the time I am caught up.” He makes his plans. “I shall
buy a few sheep and all other things needed for the pastoral life.” His
friends will share this new transfiguration which has the advantage of
being more sociable than the life of the knight-errant. He will become
the pastor _Quixotiz_; Sancho will become _Pancino_. Sancho’s wife
Teresa will be _Teresona_. The bachelor Carrasco will be known as
_Sansonino_ or _Carrascón_: being a learned man, he shall take his
choice. The priest (_el cura_) he might call, not knowing his true name,
_el pastor Curiambro_.
These persons, being facts, must change their names ere they can enter
his truthful pastoral Eden. Dulcinea remains Dulcinea: for already _she_
is of the world of his truth. With this last lucid statement of his
mind, the old man comes upon his home where soon he is to die. No more
may he be a knight, dispensing Justice in a real world inhabited by such
true concepts as ogres, virgins, sorcerers. Even the little interlude of
pastor is denied him. He languishes; and with his strength, his
creative will expires.
The child returneth to the mother. Don Alonso Quijano el Bueno lies upon
a death-bed and renounces Don Quixote. Again Cervantes’ child shrinks to
the arms of his parent. He abjures the careers of all knights-errant:
“Ya soy enemigo de Amadís de Gaula y de toda la infinita caterva de
su linaje; ya me son odiosas todas las historias profanas de la
andante caballería; ya conozco mi necedad y el peligro en que me
pusieron harlas leído; ya por misericordia de Díos, escarmentando
en cabeza propia, las abomino....”
* * * * *
Public-domain text, read in full here on John Shaqi.
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