Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
were too dominant for a culture based on transcendental values.
Medievalism in Spain became a maniacal gesture. Modernism? It is the
breakdown of the medieval culture: its intellectualism, its
systematization is a vast Machine proficient at destroying, and creating
nothing. Is this what Spain must come to, to be saved? Unamuno
reconsiders; and by 1905 he has his answer--which is indeed a
conversion.
Unamuno is an expression of dynamic egoism. This atom has got loose from
the locked coil of Spain; and what a surge it has! Yet all his doctrine
comes rather simply down to the assertion of an immense personal will
emerging from the stratified social trammels of his land. The intrinsic
substance of Unamuno’s thought will strike the Western mind as meager;
but the drama of its formulation is a new act in Spain, the flesh of its
assertion is a fresh embodiment of the Spanish spirit.
This announcement of a personal will recalls at once earlier apocalypses
of the north: Blake, Whitman, Dostoievski, Nietzsche. Unamuno’s
assertion is important, because it is made up of the conflicting
substances of Spain. The voice of this man declaring that he will never
die, and that he will never live according to the herd-patterns of
modern Europe, becomes palpable and true, because it is so deeply
Spanish. Perhaps the æsthetic value of the utterances of Whitman,
Dostoievski, Nietzsche, Blake is similarly grounded in racial substance.
The case is evident in Unamuno. Freeing himself from the still equipoise
of Spain he frees himself from nothing that is Spanish.
In Unamuno, the same Spanish spirit heretofore held in tragic unison--in
the actless unison of its will--swings once more into motion. Instead of
equating each other, the elements of the Spanish soul line up _behind_
the soul of Unamuno and serve to project him, parabola-wise, into his
personal heaven. Here is Spain’s neo-medieval sense of the futility of
life; here is Christ; here is Spain’s narcistic love of the extremes
within her, whence arose the pícaro and the saint. Here above all is
Spain, enemy of pragmatism and of rational progress, worshiper of the
Absolute--Spain that will be heaven or hell, and never merely earth; and
yet will not loose her hold on earth, in all her visions of heaven.
Public-domain text, read in full here on John Shaqi.
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