Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
Such a town is Medina del Campo--City of the Field: a huddle of clay
huts about a bastioned castle where Isabel the Catholic loved to live
and where at last she died. The plains are at low ebb against the walls
of Medina. They recede with their lush rhythms from this ruined
arrogance which once housed Glory. Medina is like a penniless hidalgo.
The town’s pride--the Castle--is a molder within the walls. And the town
itself is a lay of sordid houses on mud streets, a conglomerate life of
stamping peasants and braying mules and women occult like the hidden
fires of their kitchens.
West of Medina del Campo lies the Province of Salamanca. It is the
southern spur of the kingdom of León which Castile absorbed in the
eleventh century, and it is contiguous with Portugal. It is less fertile
than Valladolid. That sea-like plain roughens and grows abrupt. The
Castilian _borrico_ is less frequent; and likewise the crude _carro_
which it draws with the driver bouncing on its rump. Here is a land of
oxen. Slow and inevitable as the day, they swing and steam beneath their
wooden yokes, drawing the stone plow through the rocky loam or the cart
with axleless wheels on the harsh ruts of a road. The cool young
grain-shoot trills less in this land. It is a world of flocks. Sheep
fleck the hills; goats cast their jagged shapes like living stones
within the stony valleys. It is a world of ranches--of _dehesas_. Bulls,
reared for the bull-ring--_toros bravos_--browse in great sweeps of
meadow.
The ranch house is of stone. It is large and bleak; if the dehesa breeds
good bulls, it is rich. _Toreros_ come to study their victims, for when
the bull is not “game” the _espada_ is helpless. There are many bedrooms
for guests: the dining room is a long hall in mahogany or oak with
crystal candelabras, lofty leather chairs, sideboard glittering with
colored glasses, a bull’s-head over the door and portraits of great
toreros on the walls. But the house is cold; rustic and crude it is,
like the harsh earth of León. The livable room and the living room is
the kitchen. The owner, in _zamarra_ and _calzón_, smokes his rank pipe
by a vast open fire. (There are few stoves in this land.) A medieval
spit, great enough for the whole side of a beef, stands in the
blue-black chimney. And through the Castilian winter, when the wind is
unbroken from the Cantábrico to the Sierra Morena, the ranch house is a
cavern, but the kitchen is warm.
The hidalgo has changed little from his ancestors who fought the Moor at
Zamora. With him is his son, who incites the savagery of the bulls as a
gardener incites the color of rare flowers; and his son’s wife, a mellow
creature, quiet as the low flame of _encina_ that heats the _garbanzo_
jar upon the hearth; and her child, also, taking the breast of a nurse.
The other servants sit, too, before the fire in that equality which
alone a feudal sense of caste makes possible.
Public-domain text, read in full here on John Shaqi.
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