Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
South of the Guadarrama lies New Castile. The world flattens to the vast
plain of La Mancha. Towns stand like tiny toys on a table. It is a calm
before storm: vineyards and wheatfields stop against the wildest pass of
Spain, Despeñaperros of the Sierra Morena. Here Don Quixote like his
idol Amadís went into penance and prayer; here the Arabs passed from
Andalusia to the high Plateau; here at Las Navas de Toloso they were
pushed back and down five centuries later. Within a land of fierce
extremities, none is more telling than this sudden chaos rocking to the
sky between two mellow plains. In the upper one, La Mancha, the eye is
lost between the infinites of earth and heaven: it ceases to feed logic
to the mind and the soul starves in a waste of vague realities or, like
Don Quixote’s, leaps to the realm of visions.
North of La Mancha, another climax. The Tagus flows lazily west,
carrying silt and loam from gradual hills serrated with the olive. The
land is wide-browed. Its lack of trees gives it essential peace, as if
it were in contemplation of its own fortunate ease among the embattled
mountains. Now, swinging westward with the river, the land catches a
spiritual fever. Fields grow rockier, hills abrupt. Rondure sharpens to
angle; horizons shut. Something like a geological convulsion takes the
body of New Castile and turns it into a steep, a tumultuous storm. The
land becomes a maelstrom, swirling into a single rock--Toledo. The Tagus
maddens too. Bending south, it cuts into a canyon, one of whose walls is
Toledo and the other a rocky world to rim it. The river circles; deep in
a notch of stone it becomes a purpling torrent. It cuts a precipice, it
leaps a rapid, it reverses northward seeking again the long plains that
lounge westward to rocky Portugal and to the sea.
Toledo is cold upon its sudden height. Across the gorge that makes it
almost an island, olive groves, symmetrical as in the ancient prints,
draw verdant stripes in the red face of the hills. The country houses
and the chapels mark the swift slopes like little steadfastnesses
nailing their chaos. But in this geologic gyre and husbandry, Toledo
stands unmoving.
Public-domain text, read in full here on John Shaqi.
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